Libraries -- History; Library architecture -- History; Library fittings and supplies -- History
In the south cloister at Gloucester there is a splendid series of twenty
stone carrells (fig. 29), built between 1370 and 1412. Each carrell is 4
ft. wide, 19 in. deep, and 6 ft. 9 in. high, lighted by a small window of
two lights; but as figures do not give a very vivid idea of size, and as I
could not find any one else to do what I wanted, I borrowed a chair from
the church and a folio from the library, and sat down to read, as one of
the monks might have done six centuries ago (fig. 30). There is no trace
of any woodwork appertaining to these carrells; or of any book-press
having ever stood near them. The easternmost carrell, however, differs a
good deal from the others, and it may have been used as a book-closet.
There is a bench-table along the wall of the church opposite to the
carrells; but it does not appear to have been cut away to make room for
book-presses, as at Westminster. The south alley appears to have been shut
off at the east end, and also at the west end, by a screen[199].
[Illustration: Fig. 29. Range of carrells in the south cloister at
Gloucester Cathedral.
(From Mr Murray's _Handbook to the Western Cathedrals_.)]
This drawing will help us to understand the arrangement of the wooden
carrells used at Durham and elsewhere. Each carrell must have closely
resembled a modern sentry-box, with this difference, that one side was
formed by a light of the window looking into the cloister-garth, opposite
to which was the door of entrance. This, I imagine, would be of no great
height; and moreover was made of open work, partly that the work of the
occupant might be supervised, partly to let as much light as possible pass
through into the cloister-library. The seat would be on one side of the
carrell and the desk on the other, the latter being so arranged that the
light would enter on the reader's left hand.
[Illustration: Fig. 30. A single carrell, Gloucester Cathedral.]
Public-domain text, read in full here on John Shaqi.
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