England -- Social life and customs -- 20th century -- Fiction; Love stories; Social classes -- England -- Fiction; Young women -- Fiction
The act was soon over, and then she saw Lord Algy's perfect figure rise
to go out. That was "Jack Kilcourcy" she thought, probably, with him,
about whom she had so often heard--and perhaps they had come to see some
special beauty in the chorus, and would go on to supper later at the
Savoy or elsewhere. Oh, no!--she would not allow herself to feel any
more; she had surely passed beyond such things!
The second act came and went, and the third, and when it was over she
hurried Matilda out, in a desire to escape before the stall crowd could
mingle with theirs in the doorway.
It was raining a little when they came to the door, and there stood Lord
Algy talking with his caressing devoted air to a lovely woman in black,
whom Katherine had noticed in one of the boxes. He did not see her, as,
clutching Matilda's arm, she shrank away among the bedraggled people
beyond the lights, and there she paused and turned for a last look at
him, and saw him follow the lady into a smart car, the door of which was
being held open by a motor groom; it had just driven up.
"We will have a taxi, Tild," she said. "Let us walk on and find one. I
can't stand an omnibus to-night."
She drove Matilda to Victoria first, and then went back to Berkeley
Square, a rather damp creature in body and soul. And when she was in
bed, the tears would trickle down her cheeks. It was all hateful! The
dress circle--the rain--the cab--the dependence--and last of all Lord
Algy and the lovely woman in black!
Then her sense of the value of things came back again; her indomitable
spirit revived, and before she fell asleep she knew that once for all
she had banished any lingering regrets and that she would play for the
great stakes in the game of her ambition with a zest as strong as the
desire for love--that love which she now realized had been mainly an
affair of the senses and which was over and dead.
CHAPTER XXIII
Public-domain text, read in full here on John Shaqi.
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