The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographersDoyle, Arthur Conan
Religion
The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographers
Doyle, Arthur Conan
Spirit photography; Spiritualism
There have been many storms before which have broken over the Crewe
Circle, but the cause of them has usually been the limited knowledge
of the strange possibilities of psychic photography on the part of the
sitters and of the public. One of the most notorious of these so-called
“exposures” (which really were exposures of the critics’ ignorance) was
in 1908, and arose out of Archdeacon Colley’s first sitting. He had
heard that the Crewe Circle were simple-looking folk, and this attracted
him, so he broke his journey at Crewe and called upon Mr. and Mrs. Hope,
who had just lost their eldest daughter. The Archdeacon apologised for
having come at such a time, but Mr. Hope sent him on to Mr. and Mrs.
Buxton, where he was shown the photos and asked to see the negatives.
He was shocked when he heard that they had all been destroyed, and from
that time kept all negatives he was able to get hold of. The Archdeacon
brought his own camera, loaded at Stockton with his own diamond-marked
plates. He kept the plates in his own possession and focussed the camera,
_which he put up outside the house_, although it was raining. Mr. Hope
merely pressed the bulb and Archdeacon Colley developed the plates with
his own developer. When he held the picture to the light he exclaimed:
“My father and my sainted mother!”
Mr. Hope was the first to notice the likeness between “Mrs. Colley” and
a picture he had copied about two years ago, and cycled with it to Mr.
Spencer, of Nantwich. Mrs. Spencer declared it to be her grandmother, and
cried out, “Oh, if this had only come with us how pleased we should have
been!”
Mr. Hope then wrote to Archdeacon Colley telling him it could not be his
mother, as it had been recognised at Nantwich. The Archdeacon said it was
madness to think a man did not know his own mother, and advertised in the
Leamington paper, asking all who remembered his mother to meet him at
the Rectory, when eighteen persons selected the photograph from several
others and testified in writing that the picture was a portrait of the
late Mrs. Colley, who had never been photographed.
Public-domain text, read in full here on John Shaqi.
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