The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographersDoyle, Arthur Conan
Religion
The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographers
Doyle, Arthur Conan
Spirit photography; Spiritualism
My wife accompanied me to the sitting, which was held in a large,
well-lighted attic room some distance from the house where the members
of the Circle were lodging. I saw them arrive, saw them unpack their
photographic outfit, and saw them borrow a dark cloth (which I examined)
for use as a background. Obtaining permission, I examined the camera, the
slide, the lens, the bellows (for pin-holes) and all the accessories,
without finding anything suspicious. I treated the sitting as a test
and took every step, so far as I knew, to provide against conscious or
unconscious deception.
Including Mr. Hope and Mrs. Buxton, there were nine or ten people
present. To all of these, except Mr. Galloway, I was quite unknown, and I
was introduced simply as a “friend.”
I had time to complete my examination—in which I included the little
adjoining dark room—before the proceedings began. All present then sat
round a table, on which my packet of plates was laid within my reach and
in my sight. There were hymns and a prayer, then the packet was lifted
and held for a few seconds between Mr. Hope’s hands, with the hands of
all the others—my own included—above and below. The packet, which was
never out of my sight, was then returned to me and I satisfied myself by
the markings that it was mine, that the wrapper was intact, and that,
therefore, there could have been no tampering with the plates.
Putting the unopened packet in my pocket, I followed Mr. Hope into
the dark room, taking with me the slide from the camera. In the dark
room Mr. Hope stood in the far corner and I stood close by the door,
leaving a clear space between us. Mr. Hope said, in explanation of this
arrangement, that he did not want to touch the plates but only to see
that I handled them properly.
Taking the packet from my pocket, I broke the cover, extracted two
plates and put the packet back in my pocket. Keeping the plates within
Mr. Hope’s view but quite out of his reach, I wrote my name on each of
them and put them into the slide, which I carried out of the room before
handing it to Mr. Hope. Up to this point, Mr. Hope had quite certainly
not touched the plates. Having seen the slide placed in the camera, I sat
down beside my wife, facing the lens.
The camera had been previously focussed and an exposure was made—Mr. Hope
standing on the right and Mrs. Buxton on the left and joining hands (Mr.
Hope’s left, Mrs. Buxton’s right) above the camera. In this attitude
Mr. Hope pressed the pneumatic bulb with his right hand and so made the
exposure, which was longer than for an ordinary photograph. Then the
slide was turned and a second exposure was made on other two members of
the party.
Public-domain text, read in full here on John Shaqi.
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