The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographersDoyle, Arthur Conan
Religion
The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographers
Doyle, Arthur Conan
Spirit photography; Spiritualism
The subject of supernormal photography was not entirely new to me. I had
met Mr. Edward Wyllie, the “spirit” photographer, when in Ireland, and
watched his operations almost daily during his fortnight’s sojourn in
that country. I subjected him to the most stringent and ingenious tests
that I could devise. As founder and president of a photographic society,
I was fully alive to all the possibilities of faking, but was quite
satisfied that I had removed from Mr. Wyllie any opportunity to indulge
in photographic legerdemain. With all my caution, results persisted. All
the ordinary laws of photography, as far as I understood them, were upset
and violated.
But to get back to the Crewe Circle. I had arranged with a friend who was
at that time editor-manager of an important Northern newspaper to visit
Crewe for the purpose of meeting the Crewe Circle. As brother members
of a psychical research society, we desired to add to our experiences.
Having taken the precaution of purchasing plates locally and following
the usual recommendation of carrying them in close proximity to the
body, we looked forward to our journey. The appointed day arrived,
but no day in modern history could have been more unsuitable or less
conducive to good results. It was December 16th, 1914, and the news
tapped out over the “private wire” was most disquieting; the Huns were
shelling Scarborough and West Hartlepool. My friend realised that it was
impossible for him to desert his editorial chair, and he hurriedly gave
me his box of plates. I met Mr. William Walker, of Buxton, _en route_,
and together we journeyed to Crewe. A short devotional service was
held in the kitchen of Mrs. Buxton’s home, during which I was informed
that only one box of plates could be dealt with. I selected the box
purchased by my absent friend and expressed a desire that some result
should be given that would give him satisfaction and conviction. I was
instructed that four plates would be dealt with and that I could select
any particular four I desired from the box; I named the third and fourth,
ninth and tenth. This selection secured two pairs of plates that would be
packed film to film, and would probably be hinged together with emulsion.
The unsealed box was then placed on the centre of the table, and as it
bore a rubber stamp impression of the firm from which it was purchased I
am quite satisfied that there was no substitution of boxes. Mr. Hope then
insisted that I should dismantle his camera. This I did most thoroughly,
giving special attention to the dark slides, lens and shutter.
Public-domain text, read in full here on John Shaqi.
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