The Flaxmans and Catharine--who spent the day with her sister, before the
evening party--were more and more conscious of oppression as the hours
went on; as though some moral thunder hung in the air.
Flaxman asked himself again and again--"Ought I to go to Meynell at
once?" and could not satisfy himself with any answer; while he, his
wife, and his sister-in-law, being persons of delicacy, were all
ashamed of finding themselves the possessors, against their will, of
facts--supposing they were facts--to which they had no right. Meynell's
ignorance--Alice Puttenham's ignorance--of their knowledge, tormented
their consciences. And it added to their discomfort that they shared
their knowledge with such a person as Henry Barron. However, there was no
help for it.
A mild autumn day drew to its close, with a lingering gold in the west
and a rising moon. The charming old house, with its faded furniture, and
its out-at-elbows charm, was lit up softly, with lamps that made a dim
but friendly shining in its wide spaces. It had never belonged to rich
people, but always to people of taste. It boasted no Gainsboroughs or
Romneys; but there were lesser men of the date, possessed of pretty
talents of their own, painters and pastellists, who had tried their hands
on the family, of whom they had probably been the personal friends. The
originals of the portraits on the walls were known neither to history nor
scandal; but their good, modest faces, their brave red or blue coats,
their white gowns, and drooping feathers looked winningly out from the
soft shadows of the rooms. At Maudeley, Rose wore her simplest dresses,
and was astonished at the lightness of the household expenses. The house
indeed had never known display, or any other luxury than space; and to
live in it was to accept its tradition.
Public-domain text, read in full here on John Shaqi.
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