"What you have expressed--very finely, if I may say so--is of course the
mystical creed," he replied at last, with suave politeness. "But why call
it Christianity?"
As he spoke, he was conscious of a certain pride in himself. He felt
complacently that he understood Meynell and appreciated him; and that
hardly any of his colleagues would, or could have done so.
"Why call it Christianity?" he repeated.
"Because Christianity _is_ this creed!--'embodied in a tale.' And mankind
must have tales and symbols."
"And the life of Christ is your symbol?"
"More!--it is our Sacrament--the supreme Sacrament--to which all other
symbols of the same kind lead--in which they are summed up."
"And that is _why you_ make so much of the Eucharist?"
"It is--to us--just as full of mystical meaning, just as much the
meeting-place of God and man, as to the Catholic--Roman or Anglican."
"Strange that there should be so many of you!" said Norham, after a
moment, with an incredulous smile.
"Yes--that has been the discovery of the last six months. But we might
all have guessed it. The fuel has been long laid--now comes the kindling,
and the blaze!"
There was a pause. Then Norham said abruptly--
"Now what is it you want of Parliament?"
The two men plunged into a discussion, in which the politician became
presently aware that the parish priest, the visionary, possessed a
surprising amount of practical and statesman-like ability.
* * * * *
Meanwhile--a room or two away--in the great bare drawing-room, with
its faded tapestries, and its warm mixture of lamplight and firelight,
the evening guests had been arriving. Rose stood at the door of the
drawing-room, receiving, her husband beside her, Catharine a little way
behind.
"Oh!" cried Rose suddenly, under her breath, only heard by Hugh--a little
sound of perturbation.
Outside, in the hall, hardly lit at intervals by oil-lamps, a group could
be seen advancing; in front Alice Puttenham and Mary, and behind, the
Fox-Wilton party, Hester's golden head and challenging gait drawing all
_eyes_ as she passed along.
But it was on Alice Puttenham that Rose's gaze was fixed. She came
dreamily forward; and Rose saw her marked out, by the lovely oval of the
face, its whiteness, its melancholy, from all the moving shapes around
her. She wore a dress of black gauze over white; a little scarf of old
lace lay on her shoulders; her still abundant hair was rolled back from
her high brow and sad eyes. She looked very small and childish--as frail
as thistledown.
And behind her, Hester's stormy beauty! Rose gave a little gulp. Then she
found herself pressing a cold hand, and was conscious of sudden relief.
Miss Puttenham's shy composure was unchanged. She could not have looked
so--she could not surely have confronted such a gathering of neighbours
and strangers, if--
Public-domain text, read in full here on John Shaqi.
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