And yet he knew why--or suspected! But the inner smart was so great he
could not help the reproach.
"I tried to act for the best," said Meynell, after a moment, his eyes on
the ground.
Stephen watched his friend uncertainly. Again and again he was on the
point of crying out--
"Tell me the truth about Hester!"--on the point also of warning and
informing the man beside him. But he had promised his father. He held his
tongue with difficulty.
When they reached the spot where Stephen's path diverged from that which
led by a small bridge across the famous trout-stream to Sandford Abbey,
Stephen suddenly halted.
"Why shouldn't I come too? I'll wait at the lodge. She might like to ride
home. She can sit anything--with any saddle. I taught her."
"Well--perhaps," said Meynell dubiously. And they went on together.
Presently Sandford Abbey emerged above the road, on a rising ground--a
melancholy, dilapidated pile; and they struck into a long and neglected
evergreen avenue leading up to it. At the end of the avenue there was an
enclosure and a lodge, with some iron gates. A man saw them, and came out
to the gate.
"Sir Philip's gone abroad, sir," he said, affably, when he saw them.
"Shall I take your card?"
"Thank you. I prefer to leave it at the house," said Meynell shortly,
motioning to him to open the gate. The man hesitated, then obeyed.
The Rector went up the drive, while Stephen turned back a little along
the road, letting his horse pasture on its grassy fringe. The lodge
keeper--sulky and puzzled--watched him a few moments and then went back
into the house.
* * * * *
The Rector paused to reconnoitre as he came in sight of the house. It was
a strange, desolate, yet most romantic spot. Although, seen from the road
and the stream, it seemed to stand on an eminence, it was really at the
bottom of a hill which encircled it on three sides, and what with its own
dilapidation, its broken fences and gates, the trees which crowded about
it, and the large green-grown pond in front of it, it produced a dank and
sinister impression. The centre of the building, which had evidently been
rebuilt about 1700, to judge from its rose-red brick, its French
classical lunettes, its pedimented doors and windows, and its fine
_perron_, was clearly the inhabited portion of the building. The two
wings of much earlier date, remains of the old Abbey, were falling into
ruin. In front of one a garage had evidently been recently made, and a
motor was standing at its door. To the left of the approaching spectator
was a small deserted church, of the same date as the central portion of
the Abbey, with twin busts of William and Mary still inhabiting a niche
above the classical entrance, and marking the triumph of the Protestant
Succession over the crumbling buildings of the earlier faith. The windows
of the church were boarded up and a few tottering tombstones surrounded
it.
Public-domain text, read in full here on John Shaqi.
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