Mother and daughter started about eight o'clock for the cottage. They had
a lantern with them, but they hardly needed it, for through the
tranquillized air a new moon shone palely, and the frost made way.
Catharine walked rejoicing apparently in renewed strength and recovered
powers of exertion. Some mining, crippling influence seemed to have been
removed from her since her dream. And yet, even at this time, she was not
without premonitions--physical premonitions--as to the future--faint
signal-voices that the obscure life of the body can often communicate to
the spirit.
They found the cottage all in light and movement. Servants were flying
about; boxes were in the hall; Hester had come over to spend the night at
the cottage that she and "Aunt Alice" might start by an early train.
Alice came out to meet her visitors in the little hall. Catharine slipped
into the drawing-room. Alice and Mary held each other enwrapped in one of
those moments of life that have no outward expression but dimmed eyes
and fluttering breath.
"Is it all done? Can't I help?" said Mary at last, scarcely knowing what
she said, as Alice released her.
"No, dear, it's all done--except our books. Come up with me while I pack
them."
And they vanished upstairs, hand in hand.
Meanwhile Hester in her most reckless mood was alternately flouting and
caressing Catharine Elsmere. She was not in the least afraid of
Catharine, and it was that perhaps which had originally drawn Catharine's
heart to her. Elsmere's widow was accustomed to feel herself avoided by
young people who discussed a wild literature, and appeared to be without
awe toward God, or reverence toward man. Yet all the time, through her
often bewildered reprobation of them, she hungered for their affection,
and knew that she carried in herself treasures of love to give--though no
doubt, on terms.
But Hester had always divined these treasures, and was, besides, as a
rule, far too arrogant and self-centred to restrain herself in anything
she wished to say or do for fear of hurting or shocking her elders.
At this moment she had declared herself tired out with packing, and
was lounging in an armchair in the little drawing-room. A Japanese
dressing-gown of some pale pink stuff sprayed with almond blossom floated
about her, disclosing a skimpy silk petticoat and a slender foot from
which she had kicked its shoe. Her pearly arms and neck were almost bare;
her hair tumbled on her shoulders; her eyes shone with excitement
provoked by a dozen hidden and conflicting thoughts. In her beauty, her
ardent and provocative youth, she seemed to be bursting out of the little
room, with its artistic restraint of colour and furnishing.
"Don't please do any more fussing," she said imploringly to Catharine.
"It's all done--only Aunt Alice thinks it's never done. Do sit down and
talk."
And she put out an impatient hand, and drew the stately Catharine toward
a chair beside her.
Public-domain text, read in full here on John Shaqi.
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