"Well, you said you would like to see some of George Sand's novels,
which--for me--was just the same. So when I went to London yesterday I
managed to borrow it, and there it is." He pointed triumphantly to a
yellow-paper-bound volume sticking out of his coat pocket. "Of course you
know George Sand is a sort of old Johnnie now; nobody reads her. But
that's your affair. Will you have it?" He offered it.
The excitement, the wild flush in the girl's face, had subsided. She
looked at the book, and at the man holding it out.
"What is it?" She stooped to read the title--"Mauprat." "What's it
about?"
"Some nonsense about a cad tamed by a sentimental young woman." He
shrugged his shoulders, "I tried to read it, and couldn't. But they say
it's one of her best. If you want it, there it is."
She took it reluctantly, and moved on along the downward path, he
following, and the dog beside them.
"Have you read the other book?" he asked her.
"'Julie de Trecoeur?' Yes."
"What did you think of it?"
"It was magnificent!" she said shortly, with a quickened breath. "I shall
get some more by that man."
"Well, you'd better be careful!" He laughed. "I've got some others, but I
didn't want to recommend them to you. Lady Fox-Wilton wouldn't exactly
approve."
"I don't tell mamma what I read." The girl's young voice sounded sharply
beside him in the warm autumnal dusk. "But if you lent me anything you
oughtn't to lend me I would never speak to you again!"
Meryon gave a low whistle.
"My goodness! I shall have to mind my p's and q's. I don't know that I
ought to have lent you 'Julie de Trecoeur' if it comes to that."
"Why not?" Hester turned her great, astonished eyes upon him. "One might
as well not read Byron as not read that."
"Hm--I don't suppose you read _all_ Byron."
He threw her an audacious look.
"As much as I want to," she said, indifferently. "Why aren't you in
Scotland?"
"Because I had to go to London instead. Beastly nuisance! But there was
some business I couldn't get out of."
"Debts?" she said, raising her eyebrows.
The self-possession of this child of eighteen was really amazing. Not a
trace in her manner of timidity or tremor. In spite of her flight from
him he could not flatter himself that he had made any impression on her
nerves. Whereas her beauty and her provocative way were beginning to tell
deeply on his own.
"Well, I daresay!" His laugh was as frank as her question. "I'm generally
in straits."
"Why don't you do some work, and earn money?" she asked him, frowning.
"Frankly--because I dislike work."
"Then why did you write a play?"
"Because it amused me. But if it had been acted and made money, and I had
had to write another, that would have been work; and I should probably
have loathed it."
"That I don't believe," she said, shaking her head. "One can always do
what succeeds. It's like pouring petrol into the motor."
"So you think I'm only idle because I'm a failure?" he asked her, his
tone betraying a certain irritation.
Public-domain text, read in full here on John Shaqi.
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