Great Britain -- History -- 18th century -- Fiction
The shock was no slight one, but she struggled to her feet, and heard,
as she tore the covering from her head, a report as of a pistol shot.
The next moment she lost her footing, and fell back. She alighted on the
place from which she had raised herself, and was not hurt. But the jolt,
which had jerked her from her feet, and the subsequent motion, disclosed
the truth. Before she had entirely released her head from the folds of
the cloak, she knew that she was in a carriage, whirled along behind
swift horses; and that the peril was real, and not of the moment,
momentary!
This was horror enough. But it was not all. One wild look round, and her
eyes began to penetrate the gloom of the closely shut carriage--and she
shrank into her corner. She checked the rising sob that preluded a storm
of rage and tears, stayed the frenzied impulse to shriek, to beat on the
doors, to do anything that might scare the villains; she sat frozen,
staring, motionless. For on the seat beside her, almost touching her,
was a man.
In the dim light it was not easy to make out more than his figure. He
sat huddled up in his corner, his wig awry, one hand to his face; gazing
at her, she fancied, between his fingers, enjoying the play of her rage,
her agitation, her disorder. He did not move or speak when she
discovered him, but in the circumstances that he was a man was enough.
The violence with which she had been treated, the audacity of such an
outrage in daylight and on the highway, the closed and darkened
carriage, the speed at which they travelled, all were grounds for alarm
as serious as a woman could feel; and Julia, though she was a brave
woman, felt a sudden horror come over her. None the less was her mind
made up; if the man moved nearer to her, if he stretched out so much as
his hand towards her, she would tear his face with her fingers. She sat
with them on her lap and felt them as steel to do her bidding.
Public-domain text, read in full here on John Shaqi.
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