The Castle of Ehrenstein: Its Lords Spiritual and Temporal; Its Inhabitants Earthly and UnearthlyJames, G. P. R. (George Payne Rainsford)
Science
The Castle of Ehrenstein: Its Lords Spiritual and Temporal; Its Inhabitants Earthly and Unearthly
James, G. P. R. (George Payne Rainsford)
Germany -- Fiction; Gothic fiction
In an instant two other figures were added to the group, one coming
from a room on the right hand, and another from the back of the house.
The former was that of a lady, perhaps forty years of age, though she
looked somewhat older; for her dress was not one calculated to conceal
the effects of time, or to set off the lingering beauties that years
had spared, to the greatest advantage. It was all of black, except the
head gear, which was snowy white, and brought far down over the broad
fair brow, almost entirely hiding the hair. The colours were those
common to many orders of nuns; and there was something in the form of
the dress itself which was in a degree conventual, so that, at first
sight, one might have taken her for a recluse; but at the second
glance one detected many differences from the garb of any established
sisterhood. There was no actual veil, a small portion of the hair was
seen; there were rings upon the fingers, and though a cross and rosary
were hanging at the girdle, there was a locket round the neck, hanging
by a gold chain. The other person seemed a superior servant; but poor
Adelaide saw none of those things, and when first she opened her eyes
again, she found herself in a small chamber furnished with much taste
and some luxury. There was tapestry on the walls, not representing
figures, as was so frequently the case; but divided into panels by
tall columns worked in the web and covered with arabesques, while in
the centre of each panel appeared an exquisitely executed group of
flowers. All the moveable furniture was formed of some dark wood
beautifully carved, and the sombre hue of the material was relieved by
rich crimson velvet here and there, while a fine mirror, and two small
but beautiful pictures of the very early school, which began, or
perhaps I may almost say preceded, the revival of the arts, were
sustained against the walls by poles of iron gilt thrust through the
tapestry. As the poor girl recovered more fully, she saw an elderly
woman-servant kneeling at the end of the bed on which she was laid,
assiduously rubbing her feet, while over her bent a face which seemed
to her almost that of an angel, and a soft hand bathed her temple with
some fine essences.
"Thank you. Oh, thank you," she said, as soon as she could speak; "how
kind you are."
"Hush!" said the lady of the house; "not a word at present, my dear
child. You will soon be well again, and then you shall speak. Bring a
little wine, Biancha, and some dry garments, for these are still wet."
Public-domain text, read in full here on John Shaqi.
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