Gothic fiction; Horror tales; Inheritance and succession -- Fiction
“Oh! you are too good,” said Matilda. “But weep not for me, my mother!
I am going where sorrow never dwells—Isabella, thou hast loved me;
wouldst thou not supply my fondness to this dear, dear woman? Indeed I
am faint!”
“Oh! my child! my child!” said Hippolita in a flood of tears, “can I not
withhold thee a moment?”
“It will not be,” said Matilda; “commend me to heaven—Where is my father?
forgive him, dearest mother—forgive him my death; it was an error. Oh!
I had forgotten—dearest mother, I vowed never to see Theodore
more—perhaps that has drawn down this calamity—but it was not
intentional—can you pardon me?”
“Oh! wound not my agonising soul!” said Hippolita; “thou never couldst
offend me—Alas! she faints! help! help!”
“I would say something more,” said Matilda, struggling, “but it cannot
be—Isabella—Theodore—for my sake—Oh!—” she expired.
Isabella and her women tore Hippolita from the corse; but Theodore
threatened destruction to all who attempted to remove him from it. He
printed a thousand kisses on her clay-cold hands, and uttered every
expression that despairing love could dictate.
Isabella, in the meantime, was accompanying the afflicted Hippolita to
her apartment; but, in the middle of the court, they were met by Manfred,
who, distracted with his own thoughts, and anxious once more to behold
his daughter, was advancing to the chamber where she lay. As the moon
was now at its height, he read in the countenances of this unhappy
company the event he dreaded.
“What! is she dead?” cried he in wild confusion. A clap of thunder at
that instant shook the castle to its foundations; the earth rocked, and
the clank of more than mortal armour was heard behind. Frederic and
Jerome thought the last day was at hand. The latter, forcing Theodore
along with them, rushed into the court. The moment Theodore appeared,
the walls of the castle behind Manfred were thrown down with a mighty
force, and the form of Alfonso, dilated to an immense magnitude, appeared
in the centre of the ruins.
“Behold in Theodore the true heir of Alfonso!” said the vision: And
having pronounced those words, accompanied by a clap of thunder, it
ascended solemnly towards heaven, where the clouds parting asunder, the
form of St. Nicholas was seen, and receiving Alfonso’s shade, they were
soon wrapt from mortal eyes in a blaze of glory.
The beholders fell prostrate on their faces, acknowledging the divine
will. The first that broke silence was Hippolita.
“My Lord,” said she to the desponding Manfred, “behold the vanity of
human greatness! Conrad is gone! Matilda is no more! In Theodore we
view the true Prince of Otranto. By what miracle he is so I know
not—suffice it to us, our doom is pronounced! shall we not, can we but
dedicate the few deplorable hours we have to live, in deprecating the
further wrath of heaven? heaven ejects us—whither can we fly, but to yon
holy cells that yet offer us a retreat.”
Public-domain text, read in full here on John Shaqi.
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