Brittany (France) -- Fiction; France -- History -- Medieval period, 987-1515 -- Fiction; Historical fiction; Women -- Fiction
Alixe started, and sat up straight, while a high tenor voice cried out:
“Ho, Mistress Alixe, ’tis thou, then? Is’t I that discover thee in thy
retreat, or thou that hast invaded mine?”
“Ohé, David, thou’st startled me! Meseemeth I all but slept.”
“’Tis a day for sleep, but this is not the place. Is there room there on
the ledge? Wilt let me up? ’Tis wet enough, below here.”
“Yea; thy feet slop i’ the sand, and thou’st frightened two crabs. Canst
climb hither?”
He laughed merrily, and scrambled up beside her, his light body seeming
but a feather in weight. She made room beside her, and he sat down
there, cocking one parti-colored knee upon the other, and beginning
lightly: “Thus bravely, then, thou comest into the cave of the water
goblin. Art thou, perchance, courted here by some sly water sprite?”
The maiden, responding to his mood, laughed also. “Not unless thou’lt
play the sprite, Master David. Say—wilt court me?”
“Nay, sister. Thou and I, and all i’ the Castle up above, know each
other in a way that admits no love-foolery. Heigho!” The little man’s
tone had changed to one of whimsical earnestness. Alixe made no
immediate reply to his speech, and so, to entertain himself, he took
from his open bag two pebbles, and began to toss them lightly into the
air, one after the other.
For a few seconds Alixe watched him absently. Then she said: “Those
pebbles, David, are like thee and me. Watch now which will be the first
to fall from thy hand. Thou’rt the mottled; I the gray.”
“And I, damsel,” said he, as he began to handle them a little less
carelessly, “I, who sit here forever, for my amusement tossing into the
air two light souls, catching them when they come back to me, and
flinging them again away—who am I, I ask?”
“Thou, David?” Alixe’s face took on a little, bitter smile. “Why, thou
art that inexorable thing that men call God. Wilt never drop thy stones
from their wearisome sphere, Almighty One?”
“They will not fall. They return to me evermore,” he answered; and,
after another toss or two, he let them both remain in his hand while he
looked at them for a moment. After that he put them back into his bag
again, with a curious smile. “That, then, is our end,” he remarked, at
last.
“_Is_ it our end? David, David! Shall I not leave Le Crépuscule, to fare
forth into the world? I dream, and dream, and vow unto myself that I
shall surely go; and then—I still remain.”
“Ay. There are things that keep thee here—and me too. There is the baby,
now, and its angel-faced mother. And then madame—how is one to leave
her, when she is a little more alive than formerly? I, too, Alixe, have
dreamed dreams. The fever of my boyhood, with its wanderings, its life,
its continual change, comes upon me strong sometimes. Here, in this
place, my wit lies buried, my soul grows gray within me, my eyes have
forgot the look of the world’s bright colors. And yet I stay on—I stay
on forever.”
Public-domain text, read in full here on John Shaqi.
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