in breadth, and the same in height--proportions which were generally observed by the ancient builders in all edifices where harmony of parts and grandeur of effect were to be combined. In the windows, the richness of the mouldings and tracery still remains as a proof of what they must have been when, on the decoration of this Castle, all that art could accomplish or wealth command was lavishly bestowed. The undercroft, or hall, as described in the survey, is “carried upon pillars and architecture of freestone, carved and wrought as the like are not within this kingdom.” It is of the same dimensions as the Baron’s Hall above, and was intended for the domestics and those numerous guests and retainers who were not entitled to a place at the upper table.” On each side of the upper hall is a fire-place; near to the inner court is “an oriel, in plan comprehending five sides of an octagon, and a fire-place. On the side opposite is a recess with a single window and a small closet, described by the guide as ‘Queen Elizabeth’s dressing-room.’” From the period just mentioned till that of Edward the Second, Kenilworth appears to have enjoyed uninterrupted tranquillity, if not sunshine. It was the frequent resort of that “brave but unlettered nobility,” among whom it was the monarch’s ambition to keep alive the martial ardour which his example had awakened. On the death of the first Edward, however, and the accession of his son, a crisis was approaching. The reign of the latter, his weak and impolitic government, his disregard of public opinion, his total abandonment of the kingly duties in favour of pleasure; his patronage of foreign adventurers, and his protection of servile flatterers, on whom he lavished wealth, and power, and honours, alienated the nobility, and hastened his own downfall and that of his favourites. But without minutely entering into this subject, we shall merely touch upon such facts, or incidents, as connect the Castle of Kenilworth with the history of that period.