His principal works are thus enumerated:--“The first was the great <g>Gate-house</g> on the north side; for, after having filled up a part of the moat on that side, he made the principal entrance from the north, instead of the south, as it had been originally. He erected a large mass of square rooms at the north-east angle of the upper court, called <g>Leicester’s Buildings</g>, and built from the ground two handsome towers at the head of the pool. The one called Flood-gate, or Gallery Tower, stood at the end of the tilt-yard, and contained a spacious and noble room, from which the ladies might conveniently see the exercises of tilting and other sports. The other was called Mortimer’s Tower, either, as Dugdale thinks, after one that previously stood there, and in which this lord lodged at the round-table festival already mentioned, or because Sir John Mortimer was confined there when a prisoner in the reign of Henry the Sixth. By Leicester, also, the baronial chase, or park, was greatly enlarged. But although his works are of so recent a date, they present, nevertheless, the appearance of great antiquity, owing to the quality of the stone, which, being of a friable nature, is readily acted upon by the weather.” <g>Leicester’s Buildings</g>, which comprise the lofty range from north-east to south-west, present, even in their present state of dilapidation, the skeleton of a majestic structure, and enable the stranger to form a fair estimate of the splendid accommodation provided for the queen and her court. To correct a popular error, it may be observed that “the great staircase flanked the centre apartment, and that the projecting erection at the south-west angle, usually called the staircase, was a suite of closets or dressing-rooms.” The date of 1571 is cut in stone below the centre window of the east front. To give a general idea of the extent and splendour of this Castle at the time [Illustration]