The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
Although the monastic rule enjoins strict moderation and silence at
table, yet we know that, from an early period, the monks’ refectory was
no less a scene of mirth and festivity than the baronial hall. The
Cistercian monks in England appear to have been especially noted for
their attachment to good living. The satirists of the twelfth and
thirteenth centuries recount the number and delicacy of their dishes,
and the goodness of their wines. One of these writers, whose work (which
commonly goes under the name of Walter Mapes, the great enemy of the
Cistercian order) enjoyed a vast popularity in the thirteenth century,
describes thus their greediness in eating:--
“Quibus prandentibus voto præcipiti
Fauces celerrimæ, dentes solliciti,
Sepulcrum patens est guttur, par gurgiti
Spumoso stomachus, et rastris digiti.”
[Illustration]
And he thus describes their evening potations--
“Sed ne potandi sit illa conditio,
Qui tenet, teneat, donec de medio
Fiat, hinc esset lis et contradictio,--
Ad plenum bibitur sine litigio.
Tunc legem statuunt pactumque mutuum,
Ne sit in calice quicquam residuum:
Sic, sine requie ventris et manuum,
Vas plenum vacuant, et replent vacuum.”
Another well-known writer, who was no friend of the Cistercians,
Giraldus Cambrensis, has left a glowing description of their jovial mode
of living. The silence enjoined by their statutes had given place to
boisterous jests; and the solemn reading of the bible or saints’
legends, commanded by the founder of the order, had been replaced by the
clang of minstrelsy and the feats and grimaces of the jongleurs.
Giraldus, among innumerable anecdotes of the private life of the
Cistercian monks, has preserved one which is curious not only on this
account, but because it is the groundwork of a numerous class of ballads
which were popular at a later period.[232]
Public-domain text, read in full here on John Shaqi.
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