The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
The series of buildings which we have just described separates the
Fountain Court from the second court of the abbey, which also appears to
have been surrounded with buildings, at least on three sides. This
second court forms at present a fair lawn, on which pic-nic parties
visiting the ruins take their dinner or tea, and which is designated as
the Abbey Garden. On three sides are the remains of a raised terrace:
this, combined with some other circumstances, leads us to conclude that
the so-called garden was the <g>Cloisters</g> of the abbey. The present terrace
was the floor of the cloister, which we know was, in most instances,
raised above the level of the enclosed court. This cloister appears to
have formed an exact square, like the first court. The windows of the
sacristy, chapter-house, parlour, and refectory, looked into it on the
west side. The north-west corner adjoined the transept and choir of the
church. On the south it was probably separated from the kitchen by a
small court, or by less important offices. At the east side of this
court, there are traces of a smaller court, and considerable ruins of a
large building, with vaulted rooms on the ground-floor, and chambers
above. This may have been the <g>Abbot’s House</g>. It appears to have
communicated with the woods behind, perhaps by one of those “privie
posternes” mentioned in the old satirists, by which the abbots are said
to have introduced into their lodgings persons of a very equivocal
character.
The ground on which the Abbey of Netley is built is a gentle declivity,
sloping towards the beach. Although much concealed by trees and
brushwood, the ruins are seen to effect from several different points.
Perhaps the most interesting general view is that from the north, where
the hill rises rather abruptly from the walls of the church, affording
almost a bird’s-eye view of the interior. The effect of the picture thus
presented to the view has been in some degree lessened by the
destruction of the ivy with which, some years ago, the walls were
clothed. “This destruction was begun by the French emigrant royalists
who were encamped on the neighbouring common, previously to the
ill-fated expedition to Quiberon during the revolutionary war; but it
was recently carried on, much more effectually, by order of the late
Lady Holland, then its proprietor, who is said to have been induced to
commit this desecration by the representation of a member of the
Dilettanti Club, who unfortunately had read in Pausanias of the injury
which a certain ancient temple in Bœotia had sustained from the ivy
which encircled it loosening the cement of the stones, and separating
them from each other, and who, in consequence, implored her ladyship to
prevent her temple from sharing a similar fate.”[233] The beauty of the
scene is here increased by the Southampton Water, which appears in the
background, the distant view of the New Forest, and the still more
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive