The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
“Since first along the Ver’s embattled banks
The Roman leader stretch’d his martial ranks,
Till Henry’s mandate struck the fated shrine
And sadly closed St. Alban’s mitred line.”
But without occupying further space in the dry routine of description,
we enter at once into the sanctuary, and notice such of the noble and
majestic features as may best convey to the reader some adequate idea
of its internal magnificence. Although familiarly acquainted with the
finest specimens of monastic buildings on the Continent, yet so much
were we struck on our last visit to this noble pile in January, that it
seemed to take precedence of all that we could remember; and, as we
passed before its shrines, through its
[Illustration]
pillared avenues, paused in its choir, and stood in awe in front of its
great altar, compelled us to ejaculate--“We have seen nothing finer than
this.”
“Bold is the <g>Abbey’s</g> front, and plain;
The walls no shrined saint sustain,
Nor tower nor airy pinnet crown;
But broadly sweeps the Norman arch
Where once in brighten’d shadow shone
King Offa, on his pilgrim-march,
And proudly points the moulder’d stone
Of the high vaulted porch beneath,
Where Norman beauty hangs a wreath
Of simple elegance and grace;
Where slender columns guard the space
On every side, in cluster’d row,
The triple arch through arch disclose,
And lightly o’er the vaulting throw
The thwart-rib and the fretted rose.”
The fresh florid painting of the chestnut roof, upon which not a brush
has been employed for three centuries or more, is very remarkable, and
shows that the secret of mixing colours for the eye of posterity has not
descended to the present day. In the several compartments of this roof,
as faintly seen
[Sidenote: <g>i h s</g>
JESU HOMINUM SALVATOR.]
in the foregoing view, the three initial letters are the only ornament;
and being in the Saxon form, the effect is rather pleasing than
otherwise.--But in order to give the reader a more correct notion of the
interior, we proceed to the particular features selected for
illustration. Among these is
Public-domain text, read in full here on John Shaqi.
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