The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 1 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
his body showed to the Lords and Commons, as though he had died of a
palsey or impostume. But all indifferent persons well knew,” continues
the Chronicle, “that he died of no natural death, but of some violent
force; some judged him to be strangled, others write that he was stifled
or smoldered between two feather-beds.”
“The dead corpse of this Duke was caryed to Saint Albans, and there
honourably buryed. Thus this noble prince, son, brother, and uncle to
kings, which had valiantly and politiquely, by the space of twenty-five
years, governed this realm, and for his merits was called ‘The good Duke
of Gloucester,’
[Illustration]
was, by a bone cast by his enemies, choked and brought to his fatal fine
and last ende.” This Duke Humphrey was “not only valyant and noble in
all his acts and doings, but sage, politique, and notably well learned
in the civil law.”[74] In proof of this, the reader may refer to an
amusing anecdote of him in Sir Thomas More’s “Dialogue concerning
Heresies,” &c., chap. xiv.; also, to Shakspeare’s Henry VI., Act II.,
Scene I. The good Duke is also said to have “builded the Divinitie
Schole at Oxford, which is a rare pece of worke.”
<g>The Vault</g> in which the “good Duke’s” remains had been deposited, was
only discovered by accident early in the last century. When “first
opened, the body was found in a leaden coffin, in perfect preservation,
and floating in a strong pickle, which, however, on being exposed, soon
evaporated and left the body to decay. At the foot of the coffin was
painted on the wall a picture of the crucifixion, with a chalice at each
hand, a second at the side, and a third at the feet, to receive the
blood trickling from the Saviour’s wounds, with a hand extending from
the dust with this scroll--“Blessed Lorde haue mercye on mee.” This
painting is still visible on the stone of the vault, which was
remarkably dry in January last, and of a temperature considerably higher
than that of the chancel above. The skull, which shows the intellectual
characteristics of the phrenologists, and a great portion of the
skeleton, are still left; but no care having been taken of it for many
years after its discovery, various portions were appropriated by
relic-hunters, and other conveyancers of anatomy.
In the summer of 1765--as related in the Topographical Library, article
Hertfordshire--David Garrick and Quin, who was remarkably fond of good
living, made a trip to St. Albans; where, on visiting the Abbey church,
and being shown the bones of Duke Humphrey, Quin jocosely lamented that
so many aromatics and such a quantity of spirits should have been wasted
in preserving a dead body. After their return to dinner, and whilst the
wine was circulating, Garrick took out his pencil and composed the
following verses, which he termed
QUIN’S SOLILOQUY.
Public-domain text, read in full here on John Shaqi.
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