The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
Amongst the encaustic relics of a later date, family arms, impaled
and quartered, as well as scrolls, rebuses, and ciphers, are very
frequent. In the present instance, the tile exhibits a quartering of
the <g>Clare</g> and <g>Bigod</g> shields. In others, the arms are
interspersed with various devices, or single figures, such as griffons,
spread eagles, roses, fleurs-de-lis, &c., of common heraldic usage,
but not individually applied. It appears that in some instances they
formed a kind of tesselated pavement, the middle representing a maze,
or labyrinth, about two feet in diameter, so artfully contrived that
a man, following all the intricate meanders of its volutes, could not
travel less than a mile before he got from one end to the other. The
tiles are baked almost to vitrifaction, and wonderfully resist damp
and wear.[172] Actual tesselated pavements once existed. A manuscript
Anglo-Saxon Glossary, cited by Junius, says--“Of this kind of work,
mosaic in small dies, little is used in England. Howbeit, I have seen
of it a specimen upon church floors, before altars--as before the high
altar at Westminster--though it be but gross.”[173]
<g>Abbey Wire-works.</g>--Among the objects of local industry in Tinterne, to
which the stranger’s attention is usually directed, the Abbey Wire-works
are the most interesting. “These,” to quote the words of the late Mr.
Thomas, “as well as the stately pile in their vicinity, amongst whose
silent recesses the tourist has so often and fondly trodden, are also
the dominions of Art. But how widely different is the scene! Here she is
met with in her busy laboratory, controlling and directing the energies
of mankind, and seizing upon the very subjects of nature--the gurgling
water and the lambent flame--to make them tributaries to her ambitious
designs; whilst there, in the precincts of that ruined fane, she is
beheld indolently reclining in the flowery lap of her indulgent
rival--just as we have seen the wasted form of a lovely maiden pillowed
on the bosom of her elder sister, and gently languishing through the
departing hours of her insidious disease.”
Public-domain text, read in full here on John Shaqi.
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