<g>Goodrich Castle</g>, once a stronghold of the Marshalls, whose names have been so often recorded in connection with the abbey. It stands on a finely wooded promontory, round which the river Wye flows in a semicircular direction. By whom it was originally founded is unknown, though the near affinity of its name to that of ‘<g>Godricus Dux</g>,’ who occurs as a witness to two charters granted by King <g>Canute</g> to the abbey of <g>Hulm</g>, has given birth to a not improbable conjecture that he was the founder. The <g>Keep</g> is evidently of a date antecedent to the Conquest; but the surrounding works are principally Norman, though various additions and alterations may be distinguished as the workmanship of different periods, even down to the time of Henry VI. In its general outline, this castle forms a parallelogram, with a round tower at each angle, and a square ‘keep’ standing in the south-west part of the enclosed area. The common thickness of the exterior walls is somewhat more than seven feet; the length of the longest sides--that is, those towards the south-east and north-west, including the projections of the towers--is about 176 feet; and that of the south-west and north-east sides about 152 feet. [Illustration] <g>The keep</g> stands somewhat in the same manner as those of Porchester, Pevensey, and Castleton, close to the outward wall of the castle; and, like them, it has no window on the outside next the country. It had evidently three rooms or floors, one above the other; all of them, however, were very small, being only fourteen feet and a half square; and the room on the first floor had no sort of internal communication with the dungeon beneath--which had not even a single loophole for light and air, but was connected by a very narrow passage to a still smaller dungeon, strongly secured under the platform belonging to the steps of the entrance, and having a very small air-hole on the same side. “The original windows are Saxon; that in the middle of the upper story seems to have remained just as it was from the very first, without any alteration; and the manner in which the two large side columns stand, somewhat _within_ the arch, is consistent with the fashion adopted by the Saxons, and continued even to the time of Edward the Confessor. The large zigzag ornament on each side, between the columns, is in the rude form in which it was generally used by the early Saxons; and so also is that of the zigzag moulding, or band, that is carried by way of ornament quite across the tower, just under the window; and it is very remarkable, that the middle projecting buttress is carried no higher than this ornament.”[190]--See the preceding wood-cut.