Westward appear Abersycan and the hills near Pontypool; the Blorenge hill, nearly two thousand feet high.[295] The opening which occurs in the range at this point, allows of a glimpse of the Breconshire hills at Crick Howell to Bwlch, within eight miles of the county town. The next in succession are--the Sugar Loaf, or Pen-y-Foel--so called from its conical shape--near Abergavenny, which crowns the summits of four converging hills, and rises eighteen hundred and fifty-two feet above the channel of the river Gavenny, which flows near its base. The same view takes in the Hatteril Hills, or Black Mountains, crowned with Roman encampments; and near which is Oldcastle, once the residence of Lord Cobham, whose unhappy fate forms a painful page in the national history. From these hills the Monnow takes its source. Beneath lies the dark Vale of Ewias; and in its bosom are the ruins of Lanthony, a Cistercian Abbey of the twelfth century, which forms one of the illustrated subjects of this work. In the same direction is seen the Skyrrid Vawr, a lofty hill, seen in a volcanic fissure, which is supposed to have been thrown open during one of those remote convulsions of nature, of which in these districts the traces are so distinct and frequent. Looking northward, the prominent objects are Campstone Hill, and the Craig, at the foot of which lie the picturesque remains of Grosmont Castle, which gives the title of Viscount to the Beaufort family. To these, but more northward, succeed Garway, Broad Oak, the Skinch-Cwm, and White Hills, which close the panorama from Raglan Keep.--We have been thus particular in designating the objects seen from the different points of view, in order that the tourists who annually visit this scene, may be in some degree prepared for the enjoyment which it is so well calculated to afford. [Illustration: From the top of the Keep.] Descending from this lofty tower, where on festive occasions the family ensign still floats, the contrast between the Natural scenery, which has just faded from the spectator’s eye, and the iron-bound work of Art, forces itself upon the mind, and elicits a spontaneous burst of gratitude that, under the protecting banner of the English Constitution, the peasant is now as safe in his cottage as ever Baron of Raglan was in his Keep; that at last “right” is a match against “might,” and that the strong arm of Justice falls with impartial force on the culprit--whether he be robed in ermine, or clad in hodden grey.