The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
Every feature seems stamped with the seal of antiquity; at first sight
nothing seems to have been renewed, or removed in the sacred edifice,
for at least two centuries. The great-great-grandfathers of the present
race may have occupied the same pews, knelt at the same altar, and been
addressed from the same pulpit; for the materials of which these are
composed seem as if framed to survive kingdoms and empires.
Over the Raglan <g>Vault</g> in the chancel, already noticed, some rusty
trophies of chivalry are suspended; and beneath repose several of the
ancient lords by whom they were worn, or wielded. To the state of the
monument itself, we have already alluded;[307] and judging from that of
its prostrate or dislocated compartments, the sculpture must have been
among the best specimens of its day, and employed on materials worthy to
transmit the family names to posterity; for it is of rare and variegated
marble, and appears to have been, according to monkish--but in contempt
of all classical--taste, elaborately gilded.
It has been regretted by visitors, that a tomb, in which are deposited
the remains of a nobleman--to whom the credit of a renowned invention
unquestionably belongs--should not be restored, or at least repaired. By
others, who regard it merely as an example of the Arts at that early
period, it is only a broken link in the chain of sepulchral
associations, which the skill and pencil of the artist can readily
supply. There might, indeed, be an appearance of inconsistency--a want
of harmony--in restoring the old family sepulchre, while the Castle
itself is left to destruction. In certain conditions and situations, a
fragment is more interesting than the original monument; and such,
perhaps, is the only interest which that in question ought to excite.
But with regard to the noble dust, we need only say--
“Adieu, and take thy praise with thee to heaven;
Thy ignominy sleep with thee in the grave,
But not remembered in thy epitaph.”
The family residence, more immediately connected with that of Raglan,
and to which, in the course of this article, special attention was
directed in our notice of the royal visit to the Marquess of Worcester,
is--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account