The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
<g>Pembroke Castle</g> contained many elegant apartments, appropriated to the
use of its lords, in one of which <g>Henry</g> VII. first saw the light of day.
In the inner ward stands the <g>Keep</g>, a circular tower of vast strength and
elegant proportions. The height is computed at seventy feet, the
interior diameter at twenty-four, and the walls from fourteen to
seventeen feet in thickness. <g>The State Apartments</g> appear to have been
finished in a style of great elegance. On the north of the great tower
is a long range of apartments, which seem to be of more recent
construction, or to have been modernised in later times by one or other
of its titled proprietors. From this part of the castle a staircase
communicates with Leland’s “marvellus vault callid the Hogan”--a large
cavern in the rock, opening upon the water, and extending a great way
under the buildings. The entrance is now partially walled up, and formed
into a spacious doorway. The name _Hogan_--which has occasioned some
discussion among antiquaries and etymologists--is probably derived from
_ogof_ or _ogov_, the British name for a cavern. This castle is justly
considered one of the most splendid remnants of military architecture in
the United Kingdom; and, from the state of preservation in which it is
maintained, the design and execution of every compartment may still be
traced with accuracy and precision.
[Illustration: _Pembroke Castle._
Interior of the Great Court.]
CARDIFF CASTLE,
<g>Glamorganshire</g>.
[Illustration: C]<g>ARDIFF</g>, a neat and well-built town, stands at the mouth
of the river Taafe, from which it probably derives its name.[386] Its
chief ornaments are the church and the castle--the latter a structure of
great antiquity, and now converted into a modern residence, in which the
features of a Norman stronghold are made to harmonize with the
embellishments of a refined age; and where, instead of prancing steeds
and bristling spears, the _ballia_ are lined with wallflower,
shrubberies, and all those tranquil emblems, which indicate the reign of
peace, and the cultivation of taste. Such innovations and refinements,
however, are rather out of character with the place.
Public-domain text, read in full here on John Shaqi.
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