The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
Whose name
Still draws the pilgrim to its shattered frame,
And bids him linger ’neath its shadow.
The parish church of Tinterne Parva is a small but very ancient
building, irregularly divided into porch, nave, and chancel. Its
erection, according to the historian of the abbey, was anterior to the
foundation of the monastery itself; and by some writers it is even
considered to have been the parent church. The evidences of its great
antiquity may be found in the building itself; and a practised eye will
detect indications of a British origin, in certain niches or circular
arched windows in the massive walls of the western side. The porch,
which is chaste and in good preservation, is a subsequent erection, and
yet of a remote age. The chancel, which “most uncouthly joins the nave,”
is the latest portion of the fabric. There are fragments of some antique
monuments scattered about the floor--memorials of ecclesiastics--which,
the writer sarcastically observes, “have been judiciously cut up, and
squared, to mend the pavement!” By this sage arrangement, the parochial
economy has been brought into the sharpest practice; and although it has
evinced no special veneration for the sainted dead, or the hallowed
relics of antiquity, yet “the ruinous expense of hauling fresh slabs
from the quarry, on the opposite side of the way, has been most
considerately spared.” Moreover, he adds, “the pipe of the stove within,
is picturesquely thrust through the only Gothic window remaining in the
nave!”[99]
As if its smoke, though dark and somewhat denser,
Were meant to represent the ancient Censer,
That once, with daily sacrifice, perfumed
The ground where saints and heroes lay inhumed.
By the churchyard stile, as Mr. Thomas happily describes it, “and
beneath the dark mantling boughs of the yew-tree, a scene of exquisite
sweetness steals upon the eye. The beautiful meadows beyond are skirted
by a ridge of lofty woods, with the gentle Wye flowing like a liquid
mirror below. Beneath the
[Illustration: _The Ferry at Tintern._]
renewed limbs of an aged elm-tree, hollowed and blasted by the storms of
many winters, a flock of unmolested sheep repose in grateful shade;
these are, indeed, made “to lie down in green pastures,” and are “led
beside the still waters.”
Public-domain text, read in full here on John Shaqi.
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