The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
This Catacomb takes its name from the Christian martyr Sebastian, who
suffered during the Diocletian persecution. The story of his martyrdom
is one of great beauty; but, as is the case with most of these 185
legends, its historic value is invalidated by the miraculous episodes
of his history. According to the “Acts of St. Sebastian,” this young
and gallant officer was a native of Narbonne, in Gaul, who held the
high rank of commander of the prætorian guard of Diocletian and
Maximian. His access to the emperors enabled him to offer a powerful
protection to the persecuted Christians, which he did not fail to
extend. Two of his fellow-soldiers, Marcus and Marcellinus, were about
to recant their profession, when Sebastian exhorted them to
steadfastness with such fervour as to nerve them for martyrdom and
convert the judges and all present. For his own fidelity to the
Christian faith he was transpierced with arrows and left for dead. He
recovered, however, either through the pious care of the Christian
matron Irene, or through the special grace of the Virgin. Undeterred
by his recent experience, he presented himself before the emperor,
upbraided him for his persecution of the Christians, and foretold his
death. He was immediately seized by the command of the tyrant and
beaten to death with clubs in the hippodrome of the palace, A. D. 286.
His body was ignominiously thrown into the Cloaca Maxima, or main
sewer of Rome, in order to deprive it of Christian burial. But the
place where it lay being revealed in a dream, his remains were rescued
from their loathsome and unconsecrated grave, and piously interred in
the Catacomb which bears his name.
The indignities that he suffered have been more than compensated by
the honours paid his relics. Over his tomb the high altar of the
church blazes with lights and jewels, and a marble effigy of the saint
pierced with arrows commemorates his martyrdom. The genius of Berini,
Guido, and the Caracci, has glorified his memory in deathless painting 186
and in “animated bust.”[313]
Connected with the church is an irregular semi-subterranean building,
where, tradition asserts, the bodies of St. Peter and St. Paul for a
time reposed. It would appear, according to the legend, that upon the
martyrdom of these “princes of the apostles” the oriental Christians
sent for their hallowed remains as belonging of right to them as their
fellow-countrymen. Their bodies were conveyed thus far from their
original sepulchres when a violent storm prevented the accomplishment
of the sacrilegious act, and the Roman Christians re-interred the
sacred relics in this chamber, where they remained, according to one
account, a year and seven months, or, according to another, forty
years.[314]
Public-domain text, read in full here on John Shaqi.
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