The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
[309] In an arched recess under the high altar of St. Cecilia is
a beautiful marble statue of the saint in a recumbent posture, by
Stefano Maderna, accompanied by the following inscription:
EN TIBI SANCTISSIMAE VIRGINIS CAECILIAE IMAGINEM QVAM IPSE
INTEGRAM IN SEPVLCHRO IACENTEM VIDI EADEM TIBI PRORSVS EODEM
CORPORIS SITV HOC MARMORE EXPRESSI.
“Behold the image of the most holy Virgin Cecilia, whom I myself
saw lying incorrupt in her tomb. I have in this marble expressed
for thee the same saint in the very same posture of body.”
[310] The modern additions have less claim on our reverence. The
skeptical will see no reason why the remains of Cecilia should
defy the laws of nature for fourteen centuries, when after only
two those of Charles Borromeo, also a saint, which are exhibited
at Milan arrayed in costly gold-embroidered robes and sparkling
with gems, reveal only a black and decaying head and eyeless
sockets, the skin shriveled and ruptured and the shrunken lips
parting in a ghastly smile.
[311] _Monumen. Art. Crist. Prim._, p. 172.
[312] Page 95.
[313] This striking object of Christian art has been known, says
Mrs. Jameson, to cause in Italian women a devotion leading to
hopeless passion, madness, and death. (“Sacred and Legendary
Art,” _in loco_.) The soldier saint is regarded as a sort of
Christian Apollo, banishing disease and pestilence.
[314] Pope Gregory I. first mentions the story, _circ._ A. D. 600,
as a reason for refusing to send the head of St. Paul to the
Empress Constantina.
[315] Discede a me fomes peccati ... quia jam ab alio amatore
præventa sum, qui mihi satis meliora obtulit ornamenta, et annulo
fidei suæ subarravit me, longe te nobilior, et genere et
dignitate.--Ambros., _Epis._ 34.
[316] Damasus at the end of the fourth century thus commemorates
the event in one of his metrical inscriptions, now in a lateral
aisle of the basilica of _S. Agnese fuori le Mura_:
FAMA REFERT SANCTOS DVDVM RETVLISSE PARENTES
AGNEN CVM LVGVBRES CANTVS TVBA CONCREPVISSET
NVTRICIS GREMIVM SVBITO LIQVISSE PVELLAM
SPONTE TRVCIS CALCASSE MINAS RABIEMQVE TYRANNI
VRERE CVM FLAMMIS VOLVISSET NOBILE CORPVS
VIRABVS IMMENSVM PARVIS SVPERASSE TIMOREM
NVDAQVE PROFVSVM CRINEM PER MEMBRA DEDISSE
NE DOMINI TEMPLVM FACIES PERITVRA VIDERET
O VENERANDA MIHI SANCTVM DECVS ALMA PVDORIS
VT DAMASI PRECIBVS FAVEAS PRECOR INCLYTA MARTYR.
Public-domain text, read in full here on John Shaqi.
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