The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
The figure of the Good Shepherd has been a favourite symbol in every
age, and was common in pagan art. Mercury was worshipped under the
name Criophorus, or the Ram-bearer, and was thus represented in
painting and statuary.[390] More frequently the god Pan appears under
that figure, generally bearing in his hand the simple instrument to
which he has given his name. The Roman poets employ this sweet
pastoral image in their beautiful eclogues[391] to illustrate the
shepherd’s tender care for his flock, gently bearing the lambs in his
arms or on his shoulders, recalling the inspired language in which
Isaiah depicts the Almighty’s loving-kindness toward his people.[392]
From this outward resemblance between the pagan and Christian themes, 248
Raoul-Rochette has imagined that the frescoes of the Catacombs were
careless imitations of the heathen type, overlooking their
distinctively Christian interpretation. But the naked fauns dancing
with the nymphs of pagan art, as in the tomb of the Nasos, are
infinitely removed from the sweet and tender grace of the Christian
“Pastor Bonus.” Tertullian, in the second century, speaks of chalices
on which were paintings of the Good Shepherd and the lost sheep.[393]
Eusebius says that Constantine placed a statue of this subject in the
forum of Constantinople. It also appears in mosaic at Ravenna, A. D.
440, and in a Catacomb at Cyrene in Africa.[394]
But Our Lord is sometimes represented as a lamb instead of a
shepherd.[395] Indeed, this symbol is no less appropriate than the one
just considered, and has equally the sanction of Scripture. The 249
manifold sacrifices of the tabernacle and temple all pointed to the
Lamb slain from the foundation of the world, the true Passover of
mankind. The immaculate purity, gentleness, and divine affection of
the Redeemer, and his patience under affliction and persecution, make
this beautiful symbol an appropriate type of his innocence and
sufferings as he was led as a lamb to the slaughter, and, as a sheep
dumb before its shearers, opened not his mouth.[396] In the devout
recognition of Our Lord by John the Baptist,[397] and in the sublime
visions of the Apocalypse,[398] he is thus figuratively represented;
and to this divine Lamb is chanted evermore the song of praise and
honour and thanksgiving.[399]
[Illustration: Fig. 49.--Lamb as Symbol of Christ.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account