The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
Not so in the earliest ages of the church. It was then the badge of
infamy and sign of shame--the punishment of the basest of slaves and
the vilest of malefactors. It was regarded with a loathing and
abhorrence more intense than that in which the felon’s gibbet is held
to-day. Its very name was an abomination to Roman ears,[426] and it 261
was denounced by the prince of Roman orators as a most foul and brutal
punishment, an infamous and unhappy tree.[427] Hence this Christian
emblem became the object of scoffing and derision by the persecuting
heathen. An illustration of this is seen in the blasphemous caricature
of the Crucifixion, found upon the walls of the palace of the Cæsars
and attributed to the time of Septimius Severus.[428] It represents a
figure with an ass’s head attached to a cross, which another figure,
standing near, salutes by kissing the hand, or adores in the classical
sense of the word. Beneath is a rude scrawl which has been interpreted
thus: Ἀλεξόμενος σέβετε (_sic_) Θεὸν--“Alexomenos worships his god,”
probably the sneer of some Roman legionary at a Christian soldier of
Cæsar’s household. Lucian also contemptuously speaks of Our Lord as a
“crucified impostor.”[429]
The Christians, therefore, reverently veiled this sacred sign from the
multitude; but they cherished it in their hearts, and in times of
persecution gladly bore its reproach. The early Fathers, both Greek
and Latin, recognize the occurrence of this symbol everywhere 262
throughout the universe, and expatiate with fervent eloquence on its
mystical meaning. The points of the compass, says Jerome, and the
fourfold dimensions of space as mentioned by the apostle,[430] set it
forth. Its form was assumed by birds in their flight, by men in the
act of swimming and in the attitude of prayer, and is seen in the
masts and yards of vessels.[431] “The cross,” says Justin Martyr,[432]
“is impressed on all nature; there is scarcely a craftsman but employs
the figure of it among the implements of his industry.” It was seen in
the beam and share of the plough, and in the forms of flowers and
leaves. It was typified in countless analogies of Scripture, in the
measurement of the ark, the number of Abraham’s servants, the shape of
Jacob’s staff, and the roasting of the paschal lamb; in the rod of
Moses, the seven-branched candlestick, and the wave-offerings of the
temple service; and it was the hallowed sign marked in blood on the
lintels of the Hebrews’ houses. It healed the envenomed wounds of the
serpent-bitten Israelites in the desert, routed the Amalekites in
battle, and restored to life the son of the widow who gave bread to
the prophet. It was the mark of God on the saints of Jerusalem, and
was to be the sign of the Son of man in the heavens. The Christians
wore the sacred token like a banner on their foreheads,[433] and the
form at which men once shuddered, says Chrysostom, became the badge
Public-domain text, read in full here on John Shaqi.
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