The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
This monogram is formed, as will be perceived, by the combination of
the Greek characters CHI and RHO, the first two letters of the word
ΧΡΙΣΤΟΣ, or Christ. It may, indeed, be regarded rather as a
contracted form of writing that word than as a proper symbol, just as
we sometimes write Xt. and Xmas. for Christ and Christmas. Indeed, it
most probably originated in the prevalent practice of contracted and
monogrammatic writing, of which we have so many examples in these
inscriptions. That the monogram stands for the name of Our Lord will
be apparent from an examination of a few of the inscriptions in which
it occurs, as, for instance, the very first dated example, above
given. See also the following: IN PACE ET IN ☧ DEO--“In peace and
in Christ God;” BIBAS IN ☧--“May you live in Christ;” IN ☧ VICTRIX,
which probably meant “Victrix (a woman’s name) victorious in Christ.”
Marangoni gives the accompanying impression of a seal on the plaster
of a grave. See figure 56.
[Illustration: “Hope in Him,” _i. e._, in Christ.
Fig. 56.--Christian Seal.]
This monogram soon became almost universal in the Catacombs, on
sepulchral slabs, lamps, vases, rings, seals, weights, gems, etc., and
in every conceivable modification of form, some of which are shown in
the illustration on next page. See also the vignette on title page,
copied from an alabaster slab in the Collegio Romano, originally from
the Catacombs.
[Illustration: Fig. 57.--Various Forms of the Constantinian Monogram.]
[Illustration: Fig. 58.--“Tasaris in Christ, the First and the Last.”]
Frequently the Greek letters Alpha and Omega accompany the monogram,
as in numbers 1, 4, and 6 of Fig. 57, in allusion to the sublime
passage in the Revelation descriptive of the eternity of Christ.[447] 267
Sometimes the order of the letters is reversed, probably through the
ignorance of the artist, as in the accompanying rude example, Fig. 58.
The whole was sometimes placed obliquely, or even turned upside down,
doubtless for the same reason. Even in its simplest form it was
considered sufficient to give a Christian character to a tombstone
which had been originally pagan. Such inscriptions are called 268
_opisthographæ_, that is, written behind. In the following example
from Aringhi the letters D. M., for the heathen formula DIS
MANIBVS,--“To the Divine Manes,” are partially obliterated, and the
consecrating sign substituted instead.
[Illustration: Fig. 59.--Opisthographic Inscription.]
Public-domain text, read in full here on John Shaqi.
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