The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
[372] See Figs. 60 and 106. “The doves which perch upon the
cross,” says Paulinus, “show that the kingdom of God is open to
the simple”--
Quæque super signum resident cæleste columbæ
Simplicibus produnt regna patere Dei.
[373] Per columbam Spiritus Sanctus fluit.--_Ep. ad Sever._
[374] _Contra Valentin._, c. iii. Sometimes a gold or silver
dove was placed over the altar, (Bing., viii, 6, § 19,) as is
still occasionally seen even in Protestant churches. In the
Middle Ages churches and abbeys were named from this symbol, as
_Santa Columba_ and Sainte Colombe, the church of the Holy
Dove. They were also dedicated to the Holy Ghost under the title
of Saint Paraclete, Santo Spirito, and Saint Esprit.
[375] According to an apocryphal Gospel, the Holy Ghost under the
form of a dove designated Joseph as the spouse of the Virgin Mary
by lighting on his head; and in the same manner, says Eusebius,
(vi. 29,) was Fabian indicated as the divinely appointed bishop
of Rome. According to a singular legend, the Holy Spirit in the
form of a dove was present at the Council of Nice, and _signed
the creed_ that was there framed. In the Arthurian legend a snowy
dove accompanied the apparition of the Holy Grail. In the
fifteenth century a pigeon which lighted on the tent of Edward
III., at Calais, was thought to be a manifestation of the Holy
Ghost. (_Mémoires de Phil. de Commines_, iv, 10.) Seven doves
hovering around the head of Our Lord or the Virgin Mary
symbolize, in Mediæval art, the seven-fold gifts of the Spirit.
[376] See Figs. 46, 89.
[377] _Ep. ad Corinth._, § 25.
[378] _De Phoenice._
[379] _De Resurrec. Carn._, c. 13.
[380] See Fig. 102.
[381] Psa. xlii, 1. See Fig. 132.
[382] See Fig. 115.
[383] In later art this figure is used as an emblem of the Lion
of the tribe of Judah, and is sometimes represented as opening
the apocalyptic book with seven seals. The four living creatures
of John’s vision, (chap. iv, 6, 7,) the lion, calf or ox, eagle,
and man or angel, and the tetramorph figure of that of Ezekiel,
(chap. i, ver. 10,) became symbols of the four evangelists, and
also of Christ.
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