The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
In all these the expression of countenance and attitude of the
immortal three--more dauntless than even the brave Horatii of classic
story--as they stand calmly amid the flames, indicates the presence
with them in their fiery trial of the Almighty Deliverer of his
saints. It is noteworthy, however, that the fourth figure, “like the
Son of God,” is never shown in these groups. It was reserved, as will
be hereafter seen, for mediæval art to attempt the representation of
the Divine.
The faith and heroism of many of the primitive Christians in refusing
to burn incense on the heathen altars, or to salute the statues of the
Cæsars, was no unworthy imitation of the fidelity of these Hebrew
youths in refusing to worship the great golden image set up on the
plains of Dura.
Daniel in the den is generally represented by a nude figure standing
between two lions, with his hands stretched out as if in supplication,
and thereby, says St. Gregory, conquering the lions by prayer. While,
generally, the type of the deliverance of God’s people, it may
sometimes by association have been a memorial of the Christian martyrs
devoured by wild beasts in the neighbouring Coliseum, whose sands were
so often drenched with their gore. The following fresco from the
Catacomb of St. Priscilla is a characteristic example. See Fig. 80.
Sometimes another figure, interpreted as “the prophet Habaccuc,” is
depicted as borne by an angel by the hair of the head and offering 299
food to Daniel, as described in the apocryphal story of Bel and the
Dragon. Another fresco represents Daniel as giving to the monster the
cake which he had prepared for its destruction. The story of Tobias
and the fish, and of Susanna and the elders, are also illustrated in
this remarkable series of paintings. These last are of interest as
indicating a familiar acquaintance with the apocryphal books in the
early centuries. Figures interpreted as Isaiah, who seems, like the
Magi, to come from afar to lay his gifts at the feet of Christ, and as
Ezekiel in the valley of dry bones, also occur in the Catacombs.
[Illustration: Fig. 80.--Daniel in the Lions’ Den.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account