The first subject of this New Testament cycle is the manifestation of Our Lord to the Magi by the star in the east, the sign that the Bright and Morning Star had risen upon the world.[491] Over twenty repetitions of this scene are found in the Catacombs. The following sarcophagal example, from the Catacomb of Callixtus, represents the Magi bearing their gifts, and led by the star to the place where the young child lay. The babe is seen wrapped in swaddling-clothes and lying in a manger. An ox and an ass stand near the divine child, probably in fanciful allusion to that scripture, “The ox knoweth his owner, and the ass his master’s crib;” as well as in historical illustration of the scene. Joseph and Mary appear in the 306 background as mere accessories of the group. [Illustration: Fig. 86.--The Adoration of the Magi.] [Illustration: Fig. 87.--Adoration of the Magi.] In the accompanying engraving of a fresco in the cemetery of St. Marcellinus the virgin mother is represented as seated in the calm attitude and dress of a Roman matron, holding the infant Christ in her arms, but not in the least suggesting the modern Madonna.[492] The Magi bring their offerings as the first-fruits of the homage of the world. Sometimes the number is increased to four or reduced to two, in which case they are arranged on either side of the Virgin, to preserve the balance and symmetry of the picture.[493] The figure of Joseph sometimes completes the group, but generally as a young and beardless 307 man, in contradiction to the Romish tradition of his old age, derived from the apocryphal gospels. These legends supply the theme of much of the religious art of the fifth and following centuries; but Dr. Northcote admits that “before that time Christian artists seem strictly to have been kept within the limits of the canonical books of the holy scripture.”[494]