accusation on account of the worship of Mary if it were known; but we nowhere find that this was done. Indeed, it is probable that the contumely and opprobrium with which the heathen spoke of the mother of Our Lord may have intensified into superstitious veneration the loving reverence with which she was regarded in the primitive ages. Tertullian quotes the blasphemous pagan epithet, “the harlot’s son,” applied to Christ in allusion to his miraculous birth.[516] It has been reserved for a gifted modern poet, as pagan and skeptical in sentiment as Lucretius, to parallel, or even surpass, this revolting impiety.[517] The testimony of the early Christian inscriptions is not less strikingly opposed to the modern Mariolatry of the church of Rome. “In the Lapidarian Gallery,” says Maitland, “the name of the Virgin Mary does not once occur. Nor is it to be found in any truly ancient inscription contained in the works of Aringhi, Boldetti, or Bottari.”[518] No _Ave Maria_ or _Ora pro nobis_, no _Theotokos_ or _Mater Dei_, occurs in any of the subterranean crypts or corridors of the Catacombs. Even the name Maria, now so commonly applied in varying forms to both males and females throughout Roman Catholic countries, 317 does not occur till the year 381, and only twice afterward, in 536 and 538--an evidence of the entire absence of that devotional regard now lavished upon the Virgin Mary.[519] This religious homage was only gradually developed to its present full-blown idolatry. Its traces in early Christian art are extremely infrequent and obscure. In the numerous mosaics of the fifth and sixth century at Rome and Ravenna, the figure of Mary very rarely occurs, and never but as accessory to the Divine Child in the Nativity or Adoration of the Magi. In these there was no attempt at literal portraiture, but only the expression of the virtues that adorned her character; “that,” as Ambrose expresses it, “the face might be the image of her mind, the model of uprightness.”[520] Indeed, Augustine expressly asserts that we are ignorant of her appearance.[521]