"Not long since, on the day of Corpus Christi at Compostella, the
procession was led through the streets by a tall man who danced carrying
another on his shoulders. And to this day, at Seville, on the festival
of the Holy Sacrament, the choir-children turn in a sort of slow waltz
as they sing hymns before the high altar of the cathedral. In other
towns, on the festivals of the Virgin, a saraband is slowly danced round
Her statue, with striking of sticks, and the rattle of castanets; and to
close the ceremony by way of Amen the people fire off squibs.
"All this, however, is of no great interest, and I cannot help wondering
what meaning can have been attributed to cutting capers and spinning
round. I find it difficult to believe that _farandoles_ and _boleros_
could ever represent prayer; I can hardly persuade myself that it can be
an act of thanksgiving to trample peppers under foot or appearing to
grind at an imaginary coffee-mill with one's arms.
"In point of fact no one knows anything about the symbolism of dancing;
no record has come down to us of the meanings ascribed to it of old.
Church dancing is really no more than a gross form of rejoicing among
Southern races. We need mention it merely as noteworthy, and that is
all.
"Now, from a practical point of view, what has the influence of
symbolism been on souls?"
Durtal could answer himself.
"The Middle Ages, knowing that everything on earth is a sign and a
figure, that the only value of things visible is in so far as they
correspond to things invisible--the Middle Ages, when consequently men
were not, as we are, the dupes of appearances--made a profound study of
this science, and made it the nursing mother and the handmaid of
mysticism.
"Convinced that the only aim that it was incumbent on man to follow, the
only end he could really need, was to place himself in direct
communication with Heaven, and to out-strip death by merging himself,
unifying himself to the utmost, with God, it tempted souls, subjecting
them to a moderate claustral course, purged them of their earthly
interests, their fleshly aims, and led them back again and again to the
same purpose of renunciation and repentance, the same ideas of justice
and love; and then to retain them, to preserve them from themselves, it
enclosed them in a fence, placed God all about them, as it were, under
every form and aspect."
Jesus was seen in everything--in the fauna, the flora, the structure of
buildings, in every decoration, in the use of colour. Whichever way man
could turn, he still saw Him.
And at the same time he saw his own soul as in a mirror that reflected
it; in certain animals, certain colours, and certain plants he could
discern the qualities which it was his duty to acquire, the vices
against which he had to defend himself.
Public-domain text, read in full here on John Shaqi.
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