"That is subtle, with a vengeance!"
"Less so than Durand de Mende when he speaks of the snuffers," replied
the Abbe; "after that, we will kick away that ladder.
"The snuffers for trimming the lamps are, he asserts, 'the divine words
off which we cut the letter of the law, and by so doing reveal the
Spirit which giveth light.' And he adds, 'the pots in which the snuff is
extinguished are the hearts of the faithful who observe the law
literally.'"
"It is the very madness of Symbolism!" cried Durtal.
"At least, it is a too curious excess of it; but if this interpretation
of the snuffers is certainly grotesque, if even the theory of the censer
seems beaten somewhat thin on the whole, you must admit that it is
fascinating and exact so far as it is applied to the chain which lifts
the upper part of the vessel in a cloud of fragrance, and thus
symbolizes the ascent of Our Lord into Heaven.
"That certain exaggerations should creep in through this use of parables
was difficult to prevent; but, on the other hand, what marvels of
analogy, and what purely mystical notions are revealed through the
meanings given by the liturgy to certain objects used in the services.
"To the tapers, for instance, when Pierre d'Esquilin explains the
purport of the three component parts: the wax, which is the spotless
Body of the Saviour born of a Virgin; the wick, which, enclosed in the
wax, is His most Holy Soul hidden in the veil of the flesh; and the
light, which is emblematic of His Godhead.
"Or, again, take the substances used by the Church in certain
ceremonies: water, wine, ashes, salt, oil, balsam, incense. Incense,
besides representing the divinity of the Son, is likewise the symbol of
prayer, '_thus devotio orationis_' as it is described by Raban Maur,
Archbishop of Mayence in the ninth century. I happen to remember also,
_a propos_ of this resin and the censer in which it is burnt, a verse I
read long since in the 'Monastic Distinctions' of the anonymous English
writer of the thirteenth century, which sums up their signification more
neatly than I can:
'_vas notatur,
Mens pia; thure preces; igne supernus amor._'
The vase is the spirit of piety; the incense, prayer; the fire, divine
love.
"As to water, wine, ashes, and salt, they are used in compounding a
precious ointment used by the bishop when consecrating a church. They
are mingled to sign the altar with the cross, and to sprinkle the
aisles: the water and wine symbolize the two natures united in Our Lord;
the salt is divine wisdom; the ashes are in memory of His Passion.
"Balsam, as you know, is emblematical of virtue and good repute, and is
combined with oil, signifying peace and wisdom, to compose the
sacramental ointment.
Public-domain text, read in full here on John Shaqi.
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