Hardest of all to leave was the view from the window overlooking the Cathedral Green and the Cathedral. That window had been connected with every incident of his childhood. He had leant out of it when he had felt sick from eating too much, he had gone to it when his eyes were brimming with hot rebellious tears after some scene with his father, he had known ecstatic joys gazing from it on the first day of his return from school, he had thrown things out of it on the heads of unsuspecting strangers, he had gone to it in strange moods of poetry and romance, and watched the moon like a plate of dull and beaten gold sail above the Cathedral towers, he had sat behind it listening to the organ like a muffled giant whispering to be liberated from grey, confining walls, he had looked out of it on a still golden evening when the stars were silver buttons in the sky after a meeting with Annie; he went to it and gazed, heart-sick, across the Green now when he was about to bid fare-well to it for ever. Heart-sick but resolved, it seemed strange to him that after months of irresolution his mind should now be so firmly composed. He seemed even, prophetically, to foretell the future. What had reassured him he did not know, but for himself he knew that he was taking the right step. For himself and for Annie--outside that, it was as though a dark cloud was coming up enveloping all that he was leaving behind. He could not tell how he knew, but he felt as though he were fleeing from the city of Polchester, and were being driven forward on his flight by powers far stronger than he could control. He fancied, as he looked out of his window, that the Cathedral also was aware and, aloof, immortal, waited the inevitable hour. Coming straight upon his final arrangements with Annie, his reconciliation with his father was ironic. So deeply here were his real affections stirred that he could not consider deliberately his approaching treachery; nevertheless he did not for a moment contemplate withdrawal from it. It was as though two personalities were now in active movement within him, the one old, belonging to the town, to his father, to his own youth, the other new, belonging to Annie, to the future, to ambition, to the challenge of life itself. With every hour the first was moving away from him, reluctantly, stirring the other self by his withdrawal but inevitably moving, never, never to return. He came, late in the afternoon, into the study and found his father, balanced on the top of a small ladder, putting straight "Christ's Entry into Jerusalem," a rather faded copy of Benjamin Haydon's picture that had irritated Falk since his earliest youth by a kind of false theatricality that inhabited it.