The Lucifer Room was a favourite resort of his, favourite because there
was a long bare floor across which he could walk with no furniture to
interrupt him, and because, too, no one ever came there. It was a room in
the Bishop's Tower that had once, many hundreds of years ago, been used by
the monks as a small refectory. Many years had passed now since it had
seen any sort of occupation save that of bats, owls and mice. There was a
fireplace at the far end that had long been blocked up, but that still
showed curious carving, the heads of monkeys and rabbits, winged birds, a
twisting dragon with a long tail, and the figure of a saint holding up a
crucifix. Over the door was an old clock that had long ceased to tell the
hours; this had a strangely carved wood canopy. Two little windows with
faint stained glass gave an obscure light. The subjects of these windows
were confused, but the old colours, deep reds and blues, blended with a
rich glow that no modern glass could obtain. The ribs and bosses of the
vaulting of the room were in faded colours and dull gold. In one corner of
the room was an old, dusty, long-neglected harmonium. Against the wall
were hanging some wooden figures, large life-sized saints, two male and
two female, once outside the building, painted on the wood in faded
crimson and yellow and gold. Much of the colour had been worn away with
rain and wind, but two of the faces were still bright and stared with a
gentle fixed gaze out into the dim air. Two old banners, torn and thin,
flapped from one of the vaultings. The floor was worn, and creaked with
every step. As Brandon pushed back the heavy door and entered, some bird
in a distant corner flew with a frightened stir across to the window.
Occasionally some one urged that steps should be taken to renovate the
place and make some use of it, but nothing was ever done. Stories
connected with it had faded away; no one now could tell why it was called
the Lucifer Room--and no one cared.
Its dimness and shadowed coloured light suited Brandon to-day. He wanted
to be where no one could see him, where he could gather together the
resistance with which to meet the world. He paced up and down, his hands
behind his back; he fancied that the old saints looked at him with kindly
affection.
Public-domain text, read in full here on John Shaqi.
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