The Bishop, however, entered a moment later. He was a little, frail man,
walking with the aid of a stick. He had snow-white hair, rather thick and
long, pale cheeks and eyes of a bright china-blue. He had that quality,
given to only a few in this world of happy mediocrities, of filling, at
once, any room into which he entered with the strength and fragrance of
his spirit. So strong, fearless and beautiful was his soul that it shone
through the frail compass of his body with an unfaltering light. No one
had ever doubted the goodness and splendour of the man's character. Men
might call his body old and feeble and past the work that it was still
called upon to perform. They might speak of him as guileless, as too
innocent of this world's slippery ways, as trusting where no child of six
years of age would have trusted; these things might have been, and were,
said, but no man, woman, nor child, looking upon him, hesitated to realise
that here was some one who had walked and talked with God and in whom
there was no shadow of deceit nor evil thought. Old Glasgow Parmiter, the
lawyer, the wickedest old man Polchester had ever known, said once of him,
"If there's a hell, I suppose I'm going to it, and I'm sure I don't care.
There may be one and there may not. I know there's a heaven. Purcell lives
there."
His voice, which was soft and strong, had at its heart a tiny stammer
which came out now and then with a hesitating, almost childish, charm. As
he stood there, leaning on his stick, smiling at them, there did seem a
great deal of the child about him, and Brandon, Ponting and Ronder
suddenly seemed old, wicked and soiled in the world's ways.
"Please forgive me," he said, "for not being down when you came. I move
slowly now.... Luncheon is ready, I know. Shall we go in?"
The four men crossed the stone-flagged hall into the diningroom where
Appleford stood, devoutly, as one about to perform a solemn rite. The
dining-room was high-ceilinged with a fireplace of old red brick fronted
with black oak beams. The walls were plain whitewash, and they carried
only one picture, a large copy of Duerer's "Knight and the Devil." The
high, broad windows looked out on to the sloping lawn whose green now
danced and sparkled under the sun. The trees that closed it in were purple
shadowed.
They sat, clustered together, at the end of a long oak refectory table.
The Bishop himself was a teetotaler, but there was good claret and, at the
end, excellent port. The only piece of colour on the table was a bowl of
dark-blue glass piled with fruit. The only ornament in the room was a
beautifully carved silver crucifix on the black oak mantelpiece. The sun
danced across the stained floor with every pattern and form of light.
Public-domain text, read in full here on John Shaqi.
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