It was a Fair, as there are still some to remember, that had in it a
strange element of fantasy. All the accustomed accompaniments of Fairs
were there--The Two Fat Sisters (outside whose booth a notice was posted
begging the public not to prod with umbrellas to discover whether the Fat
were Fat or Wadding); Trixie, the little lady with neither arms nor legs,
sews and writes with her teeth; the Great Albert, the strongest man in
Europe, who will lift weights against all comers; Battling Edwardes, the
Champion Boxer of the Southern Counties; Hippo's World Circus, with six
monkeys, two lions, three tigers and a rhino; all the pistol-firing, ball-
throwing, coconut contrivances conceivable, and roundabouts at every turn.
All these were there, but behind them, on the outskirts of them and yet in
the very heart of them, there were other unaccustomed things.
Some said that a ship from the East had arrived at Drymouth, and that
certain jugglers and Chinese and foreign merchants, instead of going on to
London as they had intended, turned to Polchester. How do I know at this
time of day? How do we, any of us, know how anything gets here, and what
does it matter? But there is at this very moment, living in the
magnificently renovated Seatown, an old Chinaman, who came in Jubilee
Year, and has been there ever since, doing washing and behaving with
admirable propriety, no sign of opium about him anywhere. One element that
they introduced was Colour. Our modern Fairs are not very strong in the
element of Colour. It is true that one of the roundabouts was ablaze with
gilt and tinsel, and in the centre of it, whence comes the music, there
were women with brazen faces and bosoms of gold. It is true also that
outside the Circus and the Fat Sisters and Battling Edwardes there were
flaming pictures with reds and yellows thrown about like temperance
tracts, but the modern figures in these pictures spoilt the colour, the
photography spoilt it--too much reality where there should have been
mystery, too much mystery where realism was needed.
But here, only two yards from the Circus, was a booth hung with strange
cloths, purple and yellow and crimson, and behind the wooden boards a man
and a woman with brown faces and busy, twirling, twisting, brown hands,
were making strange sweets which they wrapped into coloured packets, and
on the other side of the Fat Sisters there was a tent with Li Hung above
it in letters of gold and red, and inside the tents, boards on trestles,
and on the boards a long purple cloth, and on the cloth little toys and
figures and images, all of the gayest colours and the strangest shapes,
and all as cheap as nothing.
Public-domain text, read in full here on John Shaqi.
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