The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
Though we have little ornament of the early Saxon period, and that
little is mainly limited to the ornamentation on early Christian
crosses and fonts, it is clearly of the same character as Comacine
work. The convoluted ornament on Paulinus' cross at Whalley has been
noticed; similar work may be seen on the Kirkdale cross, Bewcastle and
Ruthwell crosses, Crowle and Yarm crosses, and others in England and
Ireland. On the Bewcastle and Ruthwell crosses there are stiff flower
convolutions with birds and beasts on the branches. Collingham cross
has interlacing monsters, and on others are panels sculptured in
representation of Scripture subjects and characters. Some of these
crosses are decorated with another and very mark-worthy ornament,
consisting of bands of interlaced work. These bands are sometimes of a
single strand, but more frequently of three strands. An interlaced
ornament of this kind was found on the Corinthian base of a column in
the church of S. Prassede in Rome. On comparing these interlaced
patterns and convolutions with the carving on the ambo in the Basilica
of S. Ambrogio, Milan, which is Comacine work, it will be seen how
nearly they correspond; whilst the ornaments and sculptured figures in
the façade and round the portals of the doors of S. Michele, Pavia, an
early Lombard church of the eighth century, show treatment similar to
Saxon work. It appears to me possible that this façade has been
rebuilt presumably about the twelfth century, but there can be little
doubt that the carvings as well as a considerable portion of the
church itself are of the earlier date.[113]
All the crosses above-mentioned bear Runic inscriptions upon them, but
on examination it will be seen that these inscriptions are generally
by another hand, and of ruder workmanship than the carving of the
crosses. Sometimes they are little more than scratches, and in one,
namely, the Yarm cross, a panel was evidently left by the carver for
the inscription, which was afterwards cut upon it, but being too
small, the last two lines had to be compressed to be got into the
space. In the Kirkdale and Lancaster crosses, the runes are certainly
inferior in workmanship, and they seem to have been an afterthought.
The borders on which they are cut do not appear as if they were
originally intended to bear them.
The date of the fragment of the Yarm cross is fixed by the
inscription, if it has been correctly read, being dedicated to Bishop
Trumberht, Bishop of Hexham, who lived towards the close of the
seventh century.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account