The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
------+----+-------------------------+---------------------------------
1. |1178| Magister Benedetto da | Pulpit of Parma cathedral
| | Antelamo | (1178). Baptistery of Parma
| | | (1196).
2 & 3.|1181| M. Martino and M. Otto |
| | Bono |
4. |1256| M. Giorgio da Iesi | Fermo cathedral (1227). Iesi
| | | (1237). Parma (1256).
5. |1280| M. Giovanni Bono da } | Chief architect at Padua (1246),
| | Bissone } | at Parma (1280).
6. | | M. Guido } | Worked with Giovanni Bono at
| | } | Padua and Pistoja.
7. | | M. Niccolao, son of } |
| | Giovanni } | This group forms the link with
8. | | M. Bernardino } | Pistoja and the Tuscan
9. | | M. Johannes Benvenuti } | schools.
------+----+-------------------------+---------------------------------
PADUA
------+----+-------------------------+--------------------------------
1. | | Magister Graci | Employed.
2. |1263| M. Egidio, son of M. } |
| | Graci } |
3. | | M. Ubertino, son of } |
| | Lanfranco } | All worked together at the
4. | | M. Nicola, son of } | church of St. Anthony.
| | Giovanni } |
5. | | M. Pergandi, son of } |
| | Ugone of Mantua } |
| | |
6. | |{ M. Zambono, or } |
| |{ Giovanni } | Father of M. Nicola. These
|1264|{ Bono da Bissone, near} | two form the link with Parma.
| |{ Como } |
7. |1264| M. Benedetto da Verona | Worked at Padua with Zambono.
| | | At Verona he is
| | | styled Benedetto da Antelamo.
| | | Probably a descendant
| | | of the one at Parma.
------+----+-------------------------+--------------------------------
The rise of the Romanesque is the stepping-stone to the Renaissance of
Art in Italy. We need not enter at length into all the vexed questions
of how this Renaissance began, and which school was the link between
that and classic art, but a slight glance must be given to the
subject. Some make everything begin from Niccolò Pisano, as though he
suddenly sprang ancestorless out of the darkness, a full-fledged
artist. Some date the rise of art from the Byzantines in Aquileja and
Venice; others again from the union of the Normans with the Saracens
in Sicily.
Public-domain text, read in full here on John Shaqi.
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