The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
We have now traced Arnolfo's training through three or four of the
chief lodges, and always under the best Masters. It is then no marvel
that by 1294 his fame had risen so high that he was chosen as
architect of the Duomo of Florence. He was well known to the
Florentines, his master, Jacopo Tedesco, otherwise Lapo, having left
Colle to settle in Florence, where he was engaged to build the Palace
of the Podestà (Bargello). And this brings us to the vexed question of
the parentage of Arnolfo.
Vasari says that Jacopo or Lapo, whom he calls "il Tedesco" (meaning
Lombard architect), was the father of Arnolfo, and he gives this as a
certain fact, understood to be the case by the world in general for
two or three centuries past.
Milanesi, on the strength of the document quoted above, "Secum ducat
Senas Arnolphum et Lapum suos discipulos," says that Lapo was only
Arnolfo's contemporary and fellow-pupil.
[Illustration: MONUMENT TO CARDINAL DE BRAYE. BY MAGISTER ARNOLFO.
_See page 314._]
But neither Vasari nor Milanesi seem to reflect that there might have
been two Lapi. Certainly, if two youths are fellow-disciples of one
Master, it is not probable that the senior should be the son of the
other. On the other hand, if "Jacopo il Tedesco," said to be Arnolfo's
father, was elected head architect at Assisi in 1228, how could he
have been a young pupil of Niccolò di Pisa in 1266?
Recognizing these difficulties, Milanesi sets out in search of a
father for Arnolfo, in place of Lapo, his fellow-pupil. He comes
across a document in the archives of the "Riformazione" of Florence,
dated MCCC. Aprile 1, where the privileges of citizenship are accorded
to "Magistrum Arnolphum de Colle, filium olim Cambij."[239] In quoting
this, Gaye[240] says that in spite of it the Florentines will persist
in calling Arnolfo the son of Lapo. Now cannot these conflicting facts
be reconciled? It is a strange fact that in no other Florentine deed
except this one privilege is any sign of parentage given to Arnolfo.
He is so enveloped in the greatness of being _caput magister_, and the
greatest architect of his day, that his parentage seems to be lost
sight of, though the universal custom of the day was to cite the
father's name as well as the son's in a document. Therefore, though we
have never before heard the surname of Jacopo il Tedesco, there is no
reason in the world why it should not be Cambi. By the time Arnolfo
was grown up, Jacopo Tedesco had lived many years in Florence; he
therefore, having become a Florentine citizen, may have taken office
and might have been connected with the Cambio, or Exchange there,
taking his name from that office, as a large family of Cambi during
the Republic seems to have done.
Public-domain text, read in full here on John Shaqi.
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