The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
---+-------+--------------------------+-------------------------------
1. | 805 | Magister Natalis | A Lombard, employed at Lucca
| | | to build a church and make
| | | a canal.
| |
2. | 900? | M. Johannis de Menazio | Built the church of S. Giacomo
| | (and many other Masters | at Pontida.
| | from Como) |
| | |
3. | " | A "famous Magister" | Worked at S. Zeno at Verona,
| | from Como (name not | and built S. Zeno at Pontida.
| | given) |
| | |
4. | " | M. Adami | Sculptured the capitals in the
| | | atrium of S. Ambrogio at
| | | Milan.
---+-------+--------------------------+-------------------------------
We may safely say that Charlemagne, who was more a warrior than a man
of æsthetic tastes, had no influence whatever on Italian architecture;
neither the form nor the symbolism was changed by him. The Italians
were always conservative, and clung to old traditions. The Roman
basilica, and not the Eastern mosque, still continued to be the plan
of the Italian church. Ricci asserts that by the end of the eighth
century all imitation of Oriental architecture had disappeared from
Italian churches. It was not the same, however, with the
ornamentations, in which the frozen Byzantine forms became vitalized
under hands less technically skilful, but more natural.
[Illustration: DOOR OF A CHAPEL IN S. PRASSEDE, ROME.
_See page 83._]
[Illustration: PLUTEUS FROM S. MARCO DEI PRECIPAZI, NOW IN S. GIACOMO,
VENICE.
_See page 84._]
Charlemagne did not even alter the Longobardic laws, and he
certainly did not interfere with the freedom and privileges of the
Comacines or _Liberi Muratori_. In fact he ratified the Lombard code
(the laws of Rotharis and Luitprand), only adding a few others which
are known as _Capitolari_.
They do not, however, refer specially to our _Magistri_, but to
jurisprudence in general. The older laws still held good for the
Comacines, and they went on building their Basilican churches, which
were at the same time classic in form, solid in style, and fanciful in
decoration--a curious and characteristic mixture. But Charlemagne
certainly patronized the Comacines, and not only employed them
himself, but sent them to restore Roman churches for Pope Adrian, and
to fortify Florence.
The early Carlovingian churches in Italy have so much analogy with the
Longobardic ones, that it is very difficult to distinguish precisely
to which era certain churches belong.
Public-domain text, read in full here on John Shaqi.
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