The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal seeDearmer, Percy
History
The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal see
Dearmer, Percy
Christ Church Cathedral (Oxford, England)
chapel as most suitable for a lecture-hall--out of all the lofty rooms
in the spacious college. Quite lately this practice has been dropped,
and the Latin Chapel restored to something of its ancient sanctity,
though a good deal remains to be done in a place where there is not as
yet even a chair to proclaim a _siste viator_.
[Illustration: WINDOW IN THE LATIN CHAPEL.]
The Decorated vaulting was built when the chapel was enlarged in
the fourteenth century. The foliage of its bosses is very beautiful;
the water-lilies especially of the third boss, so suggestive of Oxford
streams, and the roses a little further east, are a happy combination of
naturalistic treatment with decorative restraint. It will be noticed that
the vaulting does not run true in the third bay, the Decorated work there
having been somewhat awkwardly joined to the Early English of the second
bay. That part of the old wall which forms the pier at the juncture has
been left in a strangely rough condition; the builder having seemingly
given up the problem of fitting the vaults to the unequal spaces of
the bays, and left the pier as a simple bit of old wall, without even
a moulding to mark its juncture with the vault.
A prominent feature in the Latin Chapel is the old oak stalling, which
a second inspection proves to be patchwork. The returned stalls at the
west end probably belonged to the choir of the conventual church, and
in that case would have been fitted in here when Dean Duppa "adorned"
the choir by destroying the old wood-work. Near to these is some of
the work prepared for Cardinal Wolsey's new chapel. The poppy-heads are
good specimens of wood-carving, and contain a monogram I.H.S., a heart
in a crown of thorns, a cardinal's hat, and other devices. The pulpit,
with its delicate canopy, an excellent specimen of seventeenth century
wood-work, was formerly the Vice-Chancellor's seat in another part of the
church, occupied by him during university sermons. It was then used by
the Regius Professor of Divinity for his lectures, but since the altar
was restored six years ago, the chapel has been no longer used as a
lecture room. At the time when it was refitted, a handsome ogival arch
was found in the wall near the north end of the altar: the moulding is
deeply recessed, and once the arch terminated in what must have been an
ornate finial. The top of this finial has been cut down to a level with
the window ledge, and the face of the moulding hacked off to make the wall
flat for the panelling, which has now been removed. It was probably the
"Easter Sepulchre," where the Host was deposited on Good Friday, but it
may have been the tomb of the founder of the chapel. The curious break
in the masonry at the back has not been yet explained.
The wall behind the altar is pleasantly hung with Morris velvet. The
altar itself was the high altar before the restoration of 1870. In 1890
new legs were made for it out of the old organ screen, and it was placed
in its present position.
Public-domain text, read in full here on John Shaqi.
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