The Cathedral Towns and Intervening Places of England, Ireland and Scotland:: A Description of Cities, Cathedrals, Lakes, Mountains, Ruins, and Watering-places.Silloway, Thomas W. (Thomas William)
History
The Cathedral Towns and Intervening Places of England, Ireland and Scotland:: A Description of Cities, Cathedrals, Lakes, Mountains, Ruins, and Watering-places.
Silloway, Thomas W. (Thomas William)
Great Britain -- Description and travel
The National Monument was begun in 1816, the proposition being to erect
a structure in imitation of the Parthenon at Athens, as a memorial of
soldiers who fell at Waterloo. Thirty thousand dollars were subscribed
at the first public meeting. An attempt was made to place the affair
under the patronage of George IV., and the interest declined. The
foundation was laid in 1822, and remained untouched till 1824,--when,
with $67,500 on hand, work was resumed. All the money was expended, as
was the case with the New York Court-house in the structure of white
marble, the three colossal steps, and the ten columns in front, with
the two flanking pillars on each side, together with the architrave, or
horizontal stones, upon them. To this day it remains in this condition.
The general sentiment seems to be that this unfinished building,
mute in its solitary grandeur, is a more appropriate memorial than a
completed building could be.
There is a monument to Dugald Stewart, the distinguished professor
of mathematics, and afterwards of moral philosophy, in Edinburgh
University; and another to John Playfair, also a professor of
mathematics, well known the civilized world over.
The Burns Monument at the base of the hill is a stone structure some
forty feet square, surmounted by a circular section surrounded by
Corinthian columns, on which is a pedestal, crowned by a low dome
and terminated by four griffins. For a small admission fee we were
admitted, and were charmed by the relics exposed to view, once the
property of the Scottish Bard. It is useless to attempt to name them,
but many were linked with a melancholy interest to a poet, whose life,
like that of Keats, "was writ in water."
Sir Walter Scott's Monument is doubtless the finest in the world. It
is built of brown sandstone, in elaborate Gothic architecture, and
is two hundred feet high. It was erected in 1844, at an expense of
$80,500, from a competitive design furnished by George Meikle Kemp,
a young self-taught architect of great promise, who died before the
monument's completion, he having been drowned in the Union Canal,
when going home one dark night. Beneath the open Gothic rotunda, with
its groined arches, is the colossal marble statue of Sir Walter, in a
sitting posture, by John Steell. Many of the niches on the exterior are
occupied by statues of characters in Scott's romances. At the centre of
the great monument, and up 100 feet from the base, is a room in which
are relics of the great bard; and near the top, at the height of 175
feet, is a gallery on the outside of the monument, from which are fine
views of the city. As one looks down on the busy mass below; when he
sees the ruins of this animated map spread out beneath him,--hills,
ravine, parks, monuments, princely edifices, as the busy hum of life
surges up to him,--he loses sight of "the good time coming," and is
satisfied with that which has come already.
Public-domain text, read in full here on John Shaqi.
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