The Cathedral Towns and Intervening Places of England, Ireland and Scotland:: A Description of Cities, Cathedrals, Lakes, Mountains, Ruins, and Watering-places.Silloway, Thomas W. (Thomas William)
History
The Cathedral Towns and Intervening Places of England, Ireland and Scotland:: A Description of Cities, Cathedrals, Lakes, Mountains, Ruins, and Watering-places.
Silloway, Thomas W. (Thomas William)
Great Britain -- Description and travel
The business affairs appear to be managed by a matron who, after
taking our shillings, explains, systematically and hurriedly, the
various objects of interest for about half an hour,--all the time she
can afford, and as much perhaps as we should give if standing in her
place. The house is a source of great revenue, for no pleasant day
passes without visitors. In the reception-room we await the return of
the maiden, who is just then guiding another party. They come into the
room wearing an expression that says they _have seen_, if they have
not conquered. They wend their way slowly out of the grounds, up the
narrow lane, to their carriages, and then, though breathing freer, they
continue so absorbed in admiration that they have no energy to expend
in regrets over the shortness of their stay. The experience of one
party is that of all who have brains to comprehend the facts. A visit
to Abbotsford is like a flash of lightning, which, for the moment,
lights up miles of landscape, and then leaves the beholder to mentally
repicture what is still there, but veiled from his view. An experience
like this was ours at Strasburg, where a momentary light from our high
hotel window exhibited the cathedral, the lofty roofs of the houses,
and the storks standing on one leg on the chimney-tops. Brief was our
half-hour at Abbotsford, but it was enough to write the spot indelibly
upon memory's tablets.
But we now follow our guide, and are ushered first into the study.
This is a room not far from twenty feet square and fifteen feet high.
It is finished in oak, and has a heavy wrought ceiling of the same
material. On one side is a coal grate, surrounded by a red marble
mantel, with a lamp upon it, and a small marble obelisk monument. The
grate, fire-screen, and poker remain as they were fifty-one years ago.
At the centre of the room is the mahogany desk at which he sat,--plain
and flat-topped. It has five drawers on each side, with an opening
for the sitter's feet between the rows. The armchair is near it,--a
good-sized comfortable chair, and covered with light-brown leather.
The wall-spaces are filled with books, and a light cast-iron gallery
extends partly around the room. Above this gallery are other reference
books. On the side opposite the chimney, in front of a window, is a
sort of casket, having a plate-glass top. It needs not that the maid
should tell us that here are the last clothes worn by the poet. A well
written paper so states, but the pictures of him have long before given
the information. For their description we appeal to our note-books. At
the left are the shoes,--large, thick, and made of coarse leather. They
are moderately low-cut, much strained by his high instep, well blacked,
and considerably worn. They have no binding or lining, and are tied
with leather strings laced through four or five holes. In the centre is
a well ironed and carefully folded pair of pants, once black and white,
Public-domain text, read in full here on John Shaqi.
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