We will now examine the chapels and monuments in the nave. On the left of the west door is the _Chapel of St. Radegunde_, which contained formerly the body of Bishop Grandisson; but in the time of Queen Bess the tomb was plundered and his remains scattered no one knows whither. St. Radegunde was a Frankish princess, the wife of Chlotar, the son of King Clovis. Notice the carved figure of our Lord on the roof, His hand outstretched to bless, and the holes in the stone for suspending lamps. On the north side is the Chapel of St. Edmund, which is earlier than the nave itself, and was connected with it by Bishop Grandisson. The following monuments in the nave should be examined:-- _North Aisle_-- Tablet memorial of Lieutenant Allen, and window to memory of one of the Earls of Devon. Brass memorial of men of North Devon Regiment slain in Afghan war (1880-1881), with regimental flags. Memorial of 9th Lancers who died in India. Tablet to the musician Samuel Wesley. _South Side of Nave_-- High tomb of Hugh Courtenay (d. 1377), second Earl of Devon, and of his Countess, Margaret (d. 1391), a connection of Edward I. The effigies have been much mutilated. Brass to memory of General Elphinstone, V.C. (d. 1890). Brass to Hugh, second Earl of Devon. Window to Thomas Latimer. Window to Dean Cowie. We now pass into the north transept. The Norman towers at each end of the transepts were originally separated from the church. Bishop Quivil, however, wishing to enlarge the building, took down the massive walls which divided the interior of the towers from the body of nave, and constructed arches to sustain the sides of the tower. The original Norman walls remain, and in the north transept one Norman window and two narrow, circular-headed doorways. Quivil also erected the two galleries. On the east of north transept is _St. Paul's Chapel_, used as a vestry for lay choral vicars; there are here some interesting old tiles with heraldic devices, and amongst them the arms of Richard, Duke of Cornwall, brother of Henry III. Near this is the _Sylke Chantry_, founded in 1485 by William Sylke, sub-chanter, whose skeleton effigy proclaims the message--_Sum quod eris, fueram quod es, pro me, precor, ora_. An interesting mural painting has been discovered representing the Resurrection. The old clock is very remarkable, which is about 700 years old. The historian of the Cathedral thus describes it:--