The east end was rebuilt in 1850. On the south is the Audley Chapel. It is difficult to approach the south side, as walls and gardens prevent easy access. The _Vicar's Cloister_, connecting the Cathedral with the College of the Vicars Choral (incorporated in 1396), is Perpendicular work. The oak beams are finely carved. The quadrangle of the college is well worthy of notice. The _Bishop's Cloister_ is on the south of the nave. Two walks remain, and the west walk is partially restored and contains the library. Their style is Perpendicular. The chapter-house was pulled down by Bishop Bisse; only the double doorway remains. We notice the grotesque heads over the windows, the richly-groined roof, and the Lady's Arbour, a small room in the tower at the south-east angle, which may possibly have obtained its name from the Virgin, our Lady. The Chapels of SS. Katherine and Mary Magdalene, of Norman construction, formerly stood against south wall, and some remains are evident. THE INTERIOR We enter the nave by the north porch, and proceeding to the west end we notice the grand Norman piers and arches. Wyatt's hand was heavily laid upon this structure, and the triforium, clerestory and vault are all his handiwork. Moreover, he took away one bay entirely. The view eastward is very impressive. The arches are adorned with the billet and other Norman mouldings, and are remarkable for their richness. The _Font_ is curious and of Late Norman design. It has figures of the Apostles, and at the base projecting lions. The aisles are Late Decorated, except the lower part of the walls, which is original Norman. The chief monuments in the nave and aisle are, on the south:--Sir Richard Pembridge (1375), who fought at Poictiers. The effigy is a good study of the armour of the period. The right leg is a restoration. Two unknown figures of ecclesiastics. On the north--Bishop Booth (1535), the builder of the porch; a fine tomb, protected by original iron-work. The _Screen_ is a magnificent work, designed by Sir G. Scott. The lectern is modern. The _Central Tower_ has passed through many vicissitudes. The original Norman piers being unable to support the heavy Early English shaft, they were cased with new stone-work, and the Norman arches were blocked up. In Dean Mereweather's time extensive restoration was found necessary. All the parts above the arches is fourteenth-century work. The vaulting has been removed, and the tower is now open to the belfry floor.